For the Amusement and Moral Edification of Massolino Vigna Rionda Riserva Aficionados Only!

I just took delivery of a mixed half-case of 1971 and 1974 Massolino Barolo. The question is, what do I have? The seller, the owner of a highly reputable enoteca from which I have bought a lot of old and new Nebbiolo of excellent provenance, sold the wines as “Vigna Rionda Riserva” and took the time to note that I would not see the word “Riserva” on the label because Massolino made the Rionda under the riserva rules back then, but did not put the word “Riserva” on the label until later. (On its website, Massolino calls the wine “Barolo Docg Vigna Rionda” in large, bold black caps, with the word “Riserva” in tiny letters beneath, and puts the tiny word “Riserva” beneath the vintage date on the label currently in use.) I next went to the Massolino website (multilingual with a wealth of information, if you have never seen it) to see if I could learn more about my wines…and ended up in the spider hole formerly occupied by Saddam!

My wines both use a historical label which can be seen on the website, one with a multi-colored seal containing the words “Azienda Agricola Vigna Rionda”, but no definitive indication of vineyard, and definitely no use of the word “riserva”. I looked under Vigna Rionda Riserva on the website, and learned that that wine has only been made as such since 1982. The Massolino family, on the other hand, has been making wine in Serralunga d’ Alba since 1896. According to the website, five Baroli are made today, including a normale apparently made from various Serralunga fruit sources since 1911, the Vigna Rionda Riserva, made since 1982, Margheria, made since 1985, Parafada, made since 1990, and Parussi, made since 2007. There kicks about in various sources the idea that two different generations of the Massolino family went on vineyard buying sprees, the first in the 40s and 50s (after which they mostly sold grapes in bulk for a time), and then in the 60s and 70s, but nowhere could I discover when they purchased their Vigna Rionda holding. I consulted O’Keefe’s book, but found no answer there, as most of her information seems to have been taken from the Massolino website. I then went to Sheldon Wasserman’s venerable tome. He began following Massolino with the 1971 vintage, referring to both of my wines as “Vigna Rionda”, but not using the “Riserva” designation until 1982, consistent with the Massolino website information. (I may live to regret consulting Wasserman. He said that the 1971 was drying out 25 years ago, and that the 1974 was “not well-made, rather poor”!) Thus, at the end of the day, I must conclude that I bought normales rather than riservas, and with no indication one way or the other whether Vigna Rionda fruit was used to make the wine. Luckily, I paid only $94 a bottle for these prospectively not well-made, poor, dried-out wines of uncertain heritage, but I am certain that I would do it again with comparable wines, given the opportunity!

P.S. Massolino family members were among the founders of the Consortium for the Defense of Barolo and Barbaresco (as if they needed any defense, save maybe from German officers drinking them up during WWII (see Stanley Kramer’s film “The Secret of Santa Vittoria”!)), and as a consequence, some fun stuff appears on their website, such as a glossary of wine terms and vintage chart going all the way back to 1896. In case you are wondering, the “great” vintages according to the Massolinos are 1898, 1905, 1907, 1912, 1917, 1919, 1927, 1929, 1934, 1958, 1961, 1964, 1970, 1978, 1982, 1989, 1996, 2003 and 2005, while the “exceptional” vintages are
1922, 1931, 1947, 1971, 1985, 1990, 1997, 1998, 2000, 2001, 2004, 2006, 2007 and 2008. (OK, they missed badly a few times on the “exceptional” list and 1967, 1974, 1979, 1986 and 1999 fans are going to quibble (although all of those vintages fell into the third category, “excellent”), but it is interesting to read how they call out the really lousy vintages and the explanations that they offer for every vintage. On balance, their chart is better than most…)

Bill,

I remember being told by a wine merchant that the Riserva designation for the 1996 vintage was for the wine released by the winery a few years later than the “regular” Vigna Rionda. I have no idea if this is correct.

Nice to read about your buying these older vintages. Let us know how they are doing.

Al

That is the question. Does Riserva just mean older? Or older and with better material? How much do you trust the producer and the intent on quality. That is what makes Virginia wine so good. Many bottles are Riserva or Reserve here.

Bill,

Thanks for the write up. Why don’t you give Franco a call, and ask him. Hard to think of a nicer guy. When I was there this time last year, they’d just broken ground on the new cellar; prolly finished by now, or close. Great way to spend the day, so point your car south and do it. Please let us know what you learn. Again, thanks for the information/education.


I’ve a maggie of 2000 Massolino Riserva Vigna Rionda remaining - perhaps in a decade. In the meantime, enjoy your newly acquired bottles, I’ve good hopes for them.

Actually, Al Massolino did that 5 times, in 1996, 1999, 2000, 2001 and 2004. It was called Dieci Anni (10 years) Riserva. Nothing different in the winemaking…they were simply library releases, a la Borgogno. The Vigna Rionda Riserva was released at the normal time for all of those vintages, which for a riserva is always at least 5 years after the harvest.

It means meeting whatever DOC/DOCG requirements there are for any given Italian riserva wine, but as far as I know, using better juice or juice from older vines is never a requirement. That said, many of the best producers only make riserve in exceptional vintages, and may make a selection of their best wine or use the juice from special subplots or their oldest vines for their riserva, apart from what is required. Unfortunately, it falls upon the consumer to understand what “riserva” means in the context of each region, wine and producer. Too often in the past, riserva Brunellos were just subjected to extra time in wood, and many lost fruit, dried out and ended up being of much worse quality than the normale of the same wine…

This just in…here is hoping that I do not cause Sheldon Wasserman to turn over in his grave, but I have opened a bottle of the 1974 Massolino “Whatever”, and the great man may have blown the call! He tasted it at the 15-year mark, and either he tasted from an off bottle, or else the wine simply had not come together and was not ready to drink. At age 40, it is terrific so far. Great color with little bricking, quite youthful, and constantly opening and evolving on the nose hour by hour. It is delicious as well, although I have only tasted it fairly soon after decanting it so far. I will report back later.

Once again, we are provided with an important object lesson. While Wasserman has some detractors, and he clearly did not get it right all of the time, before his untimely death in 1992 at the age of 51, he probably knew more about Piemontese and Tuscan wines than any other living human being, and he had the opportunity to taste older wines that none of today’s reviewers have or ever will taste. That said, he could be fooled as easily as any of us when it comes to understanding arch-traditional Nebbiolo wines. I think that it is safe to conclude that these older Massolinos are not “new paradigm” bottlings! :slight_smile:

I just visited the website as Bill suggested. One of the best I have ever come across, a great English version there as well.

I like to read the German version, Bob. I do not read or speak German, but it keeps my mind sharp to try… :slight_smile:

Might have to slide them toward the top of my visit list.

Any tasting notes on the Riservas from 1996 to 2004? Haven’t had much experience with this producer.

To Bill’s point above, in my experience , these wines are buy and definitely hold. I find a very tannic structure to the RR ( one could say almost sour or even drying when young) that fleshes out over cellar time into wonderful classic barolo. So, I wouldn’t buy for instant gratifciation. That being said, I did just recently try 2010 which was slightly more approachable due to concentration but the backbone was lurking. It also was one of my favorites for 2010 due to the tradtional style and I appreciate this maker for exactly this approach.

Luke, I believe that that is exactly what happened to the 1974 that I am nursing along. At age 15, Sheldon Wasserman dismissed the wine in his strongest negative terms. I opened a fresh, tasty bottle yesterday that I would describe (so far) as exhibiting greater complexity on the nose than on the palate (including a curious menthol note at one point that almost gave the sensation that a cool breeze was coming off of the wine!), having mostly resolved tannins (but with enough structure left to hold the wine a while longer in its present state) and plenty of fruit left, and no oxidative notes (which was a little surprising to me). It is a very dry wine, with plenty of acid and good balance, but not at all dried out. I will say that it seems to be made in a somewhat different style from most other traditionalist wines of that era, in that the fruit is obvious, but it does not jump out at you with an impression of sweetness the way that, say, the fruit in old Giacosa wines does. Also, the fruit does not invite the usual red fruits, black fruits analysis that most wines do. It is just THERE, and the wine smooth, fresh, easy to drink, great with food. My guess is that the wine was made with purchased Serralunga fruit (or the fruit of one or more of the Massolino family’s then-newly acquired vineyards) rather than Vigna Rionda fruit, from which I would expect more of a signature…

This. Thanks Bill- very insightful, nuanced description and couldn’t have articulated it better from my own experiences. Especially your observation of the juxtapoition with Giacosa Riservas which indeed maintain a supple, rounded sweetness as well as what I have noticed to be a hallmark cryatalline element- a descriptor I use to note the clarity and translucence in the elements of the midpalate (although frankly it is tough for me to articulate this characterictic…).

Luke, it will be interesting to taste the 1971 vintage of this wine. Several of us old farts have found 1971 Nebbiolo, particularly Barolo, to have a slight candied sweetness about it. I wonder if the Massolino style will allow that element, common to many of the 1971s, to shine through. It could be that the acid is slightly high here, and that suppresses the sweetness. Not at all a bad thing, if so. I am thinking of playing with some different foods tonight to see if a certain food will draw out the sweetness a little more…

Look forward to hearing. You have far more experience in this arena than I but I did have the data point of the 1971 Giacosa Riserva Falletto di Serralunga d’Alba a year or so ago which was (as you would expect) outstanding. I don’t have enough experience to note additional sweetness however. It was at the red label vertical tasting containing all (I believe) of the rsv falletto’s which was as great way to follow the nuances and evolution. It was striking how consistent the wines are throughout the years.

Alas, no. I was late to the Massolino party, and all my younger vintages are packed away. If the subject bottle is representative, probably a good thing, too. I do not see myself going long on the reportedly excellent 2010 Rionda Riserva at my age, either…

Gary – I may be biased because we work closely with them, but I would definitely put them on your list to visit next time you’re in Piemonte. Franco is a wonderful, charming person and I think you would enjoy the wines/style…

Franco is really a great guy and i can recommend to visit this winery when you are around.

@ Bill: Very nice note, thank you. Why you not just drive by and drink one of your 71’s together with Franco for a Lunch together ?

Marko (and Tim), I do not doubt what you say about Franco, as many stories confirm what you are saying. Despite my location and access to all wineries, I have never been much on nobbing with the winemakers. I feel that they get enough opportunity to make small talk with ITBers and fans without locals like me bugging them. Oddly enough, I have never thought that I had anything more profound than “thank you” to say to a winemaker!

It is funny, though, because it is such a small world in the Neive/Barbaresco area. Winemakers and grape growers are my neighbors. One helped push my car up an icy hill with his SUV the winter after I first bought my house. Piero Busso once helped me look for a lost dog in his vineyards, and we see each other in a Neive ristorante frequently and chat. I have bumped into Giorgio Rivetti a half dozen times in ristoranti for some reason (it seems that he is always setting up elaborate tastings for somebody) and dined next to the Gaja family twice at the original Guido ristorante. I went so far as to exchange Christmas gifts with the Giacosa family a couple of years ago, after learning that we share the same butcher and that Bruno loved the smoked salmon and French butter that a friend of mine was distributing to the butcher (I still send Il Maestro the salmon and butter every Christmas through the butcher), but I choose to do so anonymously (actually, with the message that the gifts were on behalf of the many in America who loved his wines), and as a gesture of my enormous respect for his career achievments. I was invited to the winery, but declined an audience with Bruno because I did not want to bother him at his age and with his serious health issues. I understand that this strikes wine lovers who live to vacation in wine regions and meet and taste with winemakers as bizarre, but I take my cue from the locals, who are respectful of the privacy of their neighbors who have achieved wine celebrity.

That said, I am tempted to call Franco and see what he knows about the 1971 and 1974!