Some impressions of the Grand tasting – notes based on just one jaded man’s palate from one moment of time in these wines’ evolution.
2022 seems like a good to very good vintage to me. The reds are fruity and juicy – similar to 2018’s warm weather ripeness. But these have more lift and freshness. And seem more balanced. I liked the whites a touch more than the reds. I noticed a zestiness, a saline note, that appeals to me. Good acids and fuit, with balance being the hallmark. They don’t have the heft and tension of ’14 or ’20, but they are very fine.
The reds:
Once again, Hudelot Noellat’s RSV was the star of Paulee for me. Density and beautiful pure fruit, with superb length and spice-laden finish. I think Charles’ wines are under-rated in the upper ranks of Burgundy producers. His Suchots are such effortless, classy wines. Bright and stony. Loved the 16 in the verticals.
If HN was king, Mugneret Gibourg remains undisputed queen. Their Clos Vouget remains the benchmark for the somewhat maligned vineyard. Regal and velvet textured. I prefer it over the deeper-pitched Ruchottes. Lucy was pouring the wines and we both had a smile about how well the Feusselottes was drinking. Like me, she has a soft spot for this bottling – for its more floral, lithe qualities. She’s told me it’s her favorite offering in the whole range.
Jean Marie Fourrier is always so fun to taste with. Candid and a font of information about his futzing and fiddling over the years. He apparently has started making wine in Australia – something I hadn’t heard before. It’s a way to try new things and spread out winemaking throughout the entire calendar year. I have always gravitated to the value-play of his Combe Moines, which has some very old vines and is located in a bowl near the forest’s edge, providing a cooling note as temps continue to rise from climate. The 2022 is rich and musky.
Others have commented on the sleeper of the tasting – Eugenie. The Grandes Ech grabs your attention – it’s a bit like a cross between the style of Mugneret Gibourg and Rousseau. I know that’s high praise but the wine is that good. Probably the biggest revelation of the trip for me.
Loved that the entire Lafarge family showed up to the event. They have a bit of a lovable shaggy dog quality that is very appealing. Totally humble. The wines remain the best in Volnay. I actually preferred the Mitans over the Chenes … that may not be true in 10 years, but the Mitan is so approachable now and has a peppery, blackberry note that provides lift.
Dujac didn’t really pop at all, for me. None of the whole cluster magic for some reason. The Liger Belair wines were popular. I dug trying the Malconsorts, which is a new bottling for them. As you might expect, their version is more forward and lush compared to other producers’ offerings from this super 1er cru.
The whites:
Pillot once again stood atop the podium. I love the stuffing in these wines coupled with a chiseled mouthfeel. The Mazures and Clos St. Jean are delicious now, but have something in the tank.
Alex Moreau continues to go from strength to strength. His wines are remarkably consistent and I think underpriced relative to his peers. He reminds me of Dujac in some ways – just delicious wines that perform whenever you open one and reflect their place. I’ve never had a meh bottle of wine from him.
I’m not normally ga-ga for Lafon. A bit rich and slightly honeyed for me, speaking in general terms. But the Charmes had notable precision and length. It showed some restraint, which I found appealing.
Caroline Morey continues to improve her craft. The wines are floral and rocky at same time. There’s a lightness to them I find appealing, but enough ballast to hold your attention. The Champs Gains has great lift, ending on a smoky note that meshed with the whisper of honeysuckle. Much less reductive than her husband’s wines.
PYCM’s slate just seemed somewhat muddled and monochromatic to me. I’ve been a huge fanboy over the years but I’ve lost my mojo for the new releases over the past few years. Maybe it’s a function of me just trying new things and my palate changing, but the wines just seem a bit clunkier and dense to me. Lamy’s St. Aubins, in contrast, were airy and precise.
Other whites I loved:
· Bachelet-Monnot’s Folatieres was a new wine to me. It was the last wine I tasted the whole day but it still is jammed in my memory bank. Elegant and polished and long.
· Pierre Girardin’s Corton Charlemagne – white fruit, rocky, yummy
· Fornerol’s Bourgogne Blanc is full and long, with a mineral spine that belies its lowly appellation.
Final sleeper wine: Bachelet Monnot’s 1er cru Maranges red. I happened to taste it alongside Crush’s Ian McFadden, who also sang its praises: juicy, bright, spicy. Great value at $50 – what you’d pour as a starter wine to a newbies to gauge if Burg is their thing.
One final note: I really enjoyed having a brief conversation with two very capable female winemakers that represent the new breed of winemakers in Burgundy: Chantereves’ Tomoko Kuriyama and Eugenie’s Jae Chu.
I asked them about my affinity for Burgundy made by women – Gibourg sisters, Diane Seysses at Dujac, Vero Drouhin, et al. I didn’t belabor the point but I find the style of the producers mentioned to be softer, less extracted, more perfumed than the iron fist of, say, Roumier or Cathiard.
They just smiled and said they totally agree – women have better palates and maybe make more nuanced wines. We talked about women being better listeners (maybe in the vineyard and the cellars) and willing to hear what the vintage is telling them rather than imposing their will and putting their imprint/style on it (again a typical historical male trait.)
I’m going to get in trouble for unnecessary gendered distinctions and masculine-feminine tropes/prejudices, but I found the conversation fascinating.