Paso Robles Report

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Having recently returned home from a four day trip to Paso Robles, I thought it beneficial to transcribe some of my thoughts and impressions from such a remarkable place. No tasting notes, scores or any bottle specific comments, but rather more overarching thoughts after speaking with Jason Haas, Anthony Yount, Neil Collins and other interesting figures. For many here, Paso Robles is still somewhat of an unknown. Outside of direct-to-consumer sales, little of the reputable wine seems to make it outside of California and I believe this heavily impacts the impression of the region nationally.

No doubt my recent visit was to taste the wines, but more importantly my goal was to build a “context” around the region and producers. I wanted to create a more accurate framework for what the region really was, what the producers and people were trying to accomplish and see the region through a more global lens with consideration to other winemaking regions. More than anything I wanted to find out the identity of the place so that I could relate to it myself and communicate it to others as well.

There is no doubt in my mind that the last five to ten years are really ground-zero for Paso Robles although many important, foundational years preceded this period. In terms of capital and human energy, the region has really reached critical mass. The amount of new investment in the area over a short period of time is frankly startling. This consists both of more home-grown investments by those like Saxum and L’Aventure (to the extent that Stephan is home-grown, although he is undoubtedly “Paso”) to those of outside investment in recent years like Law Estates. Multiple wine tunnel projects have begun and state-of-the-art facilities are being constructed that very truly rival those of Napa Valley. Along with these outside investments are expectations - expectations of quality and consequently, critical review by those in the high places of wine journalism.

With that in mind, I want to two divide two distinct but relevant ideas that began to emerge for me over this period - that of fashion and that of identity. Fashion is neither good, bad or indifferent. I really don’t intend to make judgments about matters of fashion either way. However it is by its nature more transient. Identity on the other hand is a more permanent idea - although it may be unique to any one place or individual, it is more intrinsic by its own nature.

I believe the fashion in many places of Paso Robles is in keeping with the rest of the wine world right now. Like Napa Valley, Chateauneuf du Pape and even Bordeaux, the trend has been towards that of early drinking, approachable wines with power and concentration. As mentioned earlier, I’m not saying this is good, bad or indifferent - it merely is. However it is the reputation and frame of reference over time with these regions that we are able to distinguish this as fashion and a more transient taste. We have decades and decades of reference for the “old world” and even decades in Napa Valley as well.

Realistically, we do not truly have this type of historical context for Paso Robles in any profound way and consequently it’s easy to assume that what’s fashionable is really the “identity” of Paso Robles. By that I mean largely scaled wines that are generally hot, low acid, loosely structured and fragile over time. Honestly, I do not believe this to be the case. This is merely the contemporary period of the wine world and simply the time in which Paso Robles presumably arrived on the international stage. Undoubtedly, the generosity in climate has allowed Paso Robles producers to make a rapid ascent among wine critics, but this is merely a matter of style. Even moreso than Napa Valley, Paso Robles can hang fruit longer with less concern of mildew pressure and greater natural acidity and tannin in some varieties (notably Grenache and Mourvedre). However this is ultimately a decision by growers and winemakers, not one of nature.

With all that said, I want to relate what I believe is the real identity of Paso Robles. I believe that Paso Robles is a profound place to grow Grenache, Mourvedre and White Rhone varieties. Truly, the white wines from Paso Robles are among its greatest values and they are interesting, fresh, deeply textured and balanced wines. Paso Robles also has an uncanny ability to grow numerous other varieties including Tannat, Tempranillo, Zinfandel and numerous others in an interesting and balanced way. However the greatness of Paso Robles Reds will likely be founded on Grenache and Mourvedre.

Please note, that I do not believe that Syrah is a particularly profound variety in Paso Robles and I believe that it takes a great amount of work and a very specific site to consistently produce Syrah that is interesting and faithful in terms of varietal character. More than anything I believe that the amount of Syrah planted in Paso Robles early on and now being acidulated, watered back, and being dressed up with oak belies the identity of Paso Robles. They age poorly, their character is disguised by winemaking techniques and while they have great appeal early on, they seem to quickly become uninteresting wines in a shockingly short period of time. I hope that does not seem disparaging to some producers, but I believe it takes a great deal of effort to make quality, interesting, long-lived Syrah in Paso Robles and I fear that the sheer quantity of average Syrah being produced is a poor ambassador of the region nationally. In reality, Syrah is a cool climate grape.

Of the now hundreds of producers in Paso Robles I’m convinced that three producers, Tablas Creek, Villa Creek and Denner are producing the most interesting, structured and textured wines that authentically represent the identity of Paso Robles. I cannot speak to Saxum as I have little experience with these wines due to their limited availability and I would not yet include some younger “garagiste” producers like Ryan Pease (Paix Sur Terre) until I have greater experience with them as well (although their futures are immensely bright). Even then, the reality is that Paso Robles is still very much in its infancy as vineyards mature in age and producers/growers understand their property.

Despite the rapid growth of Paso Robles, there exists hundreds upon hundreds of acres of beautiful, interesting property that remains untouched. Even established acreage under vine have not seen their potential realized as some farmers and property owners are capitalizing on the wine industry with limited familiarity with the culture of wine or winemaking. In many producers with great vineyard potential are making fruity, simple wines with little refinement and no established tradition. In that sense there exists a great deal of potential, planted and unplanted for growers and winemakers looking to make profound, interesting wines of character. The region is not lacking raw material, only those to reveal it into something of substance.

For Tablas Creek, Villa Creek and Denner I would hope that posters would seek these producers out and try for themselves if possible. The 2012 vintage has been especially good for Grenache in Paso Robles and they’ve made for wines with immense likability, a dense core of fruit, but with freshness, energy, texture, inner-perfume and mid-palate density. They offer appeal now, but I would expect to hold together well over time due to their inherent structure and acidity, but solid “stuffing” as well.

For those who are already familiar with Paso Robles and are interested in the 2013s in barrel, I found them more tautly structured, more chiseled, precise with more deeply pitched character. There’s freshness and good acidity in some cases due to the early harvest, but they’re not as expressive and generous as the 2012s were at this point last year. All the bones seem to be there, but it’s a bit tough to ascertain their true character. All in all they seem more serious and more masculine in contrast to the more feminine and generous 2012s.

I imagine I’ve lost many by now due to the sheer length of this post, hopefully that’s not the case. Over time I’ve found myself an advocate of Paso Robles, perhaps because it’s the first wine region in California that I’ve truly identified with. I don’t believe the romance of the rolling hills, sprawling oaks and inherent beauty of the region has misled me, I truly believe in the potential of this region and it’s ability to produce wines of true character and balance. Somewhat remote to the major cities of California and with little distribution east of the Sierra Nevada, I believe that engagement and context for this region is somewhat absent on this board. I hope I have some credibility, despite my short time here so far and meager post count to encourage others to engage with some of the producers themselves. If nothing else, perhaps a little context and framework to the story of Paso Robles has been added for others to enjoy.

Very interesting report.

But I would add Saxum and Linne Colodo as well as Booker and Epoch to your list of can’t misses along with Terry Hoage and Torrin as well as Law.

All of those you list are quality producers. However I believe several of those you mention are being made in a more fashionable, contemporary style and I’m not sure that they necessarily represent the more inherent character of Paso Robles. For instance, I thought the Law Estates wines were extremely well made and honestly, delicious wines. (As you know, Scott Hawley is the Torrin winemaker as well). However the facility greatly reminded me of Dana Estates in Napa Valley and the wines bore a striking resemblance too. The fact that one was made from Rhone varieties and the other from Cabernet Sauvignon says everything though.

That’s not a knock on the wines - they are made in a particular style and the fact that I thought they were every bit as good as a $300 bottle of Napa Valley Cabernet should say a lot about the ability of Paso Robles to compete with Napa in wines of that vein. But again, the fact they are only distinguishable in small facets says a lot too.

I cannot say enough great things about Law Estates and their wines. Well crafted stuff, enjoyable now but I think they have the stuffing to take on years gracefully.

Great post, Taylor — a very interesting read, and it’s clear that you spent some time to collate your thoughts.

coincidentally, two days ago I sold the last 11 bottles of Denner I had in my cellar. Also, I’m astounded at how expensive Denner wines have become — prices there are currently ~150% of what they were 4 - 7 years ago.

Brian, which vintages of Denner? Those made by Brian Denner or Anthony Yount? Each year Anthony has generally increased whole stem inclusion, used less new oak and dialed back the overall ripeness of the wines. The 2012s struck me as rich but controlled, detailed, fresh with structure and texture. I believe the alcohol for the Grenache driven Ditch Digger was around 14.6%. I would be drinking these wines personally, although I can understand selling off some of the flashier wines from the past.

As for pricing, direct they are $55 for members ($65 for non-members). Wine Library has the 2011s for $58. Given the overall quality of these and the prices of domestic wines throughout California, I think these are in the ball-park as fair.

Why did you sell the Denner?

Taylor, they were vintages 2005 - 2008 (so not Anthony’s, although I think Anthony oversaw the '08’s once they were in barrel). I might check back-in with Denner sometime soon, although the $65 price point is almost certainly too much for me to take when I consider the wines from Rhone that I can buy for the same or less (I quote the $65 price b/c I’ve heard Denner’s list is currently closed). I’m not sure the $55 price point would really change my mind much, either. It is nice to see the alc. levels coming down, though — I’m fairly certain all of the bottles I sold were labelled between 15% and 16%.

Andrew, I sold 'em b/c they’re a bit too ripe for my wife’s and my preferences, and I happened-upon a buyer who was very excited to buy them at my total cost. It was a mutually beneficial deal — he got a 4 year vertical of Syrah, a 3 year vertical of Mourvedre, a couple Diggers, and a Dirt Worshipper. Truth be told — I do like the wines, just not thaaat much. [cheers.gif]

Brian, definitely give them another try even if you just stop by for a tasting. I would have likely sold off those vintages as well. Anthony certainly has a thoughtful approach towards creating wines with structure and freshness. There’s still a good core of fruit there, but it’s nice detailed and the wines show off their varietal character and finish with a good frame of tannin and structure.

The prices are definitely higher than what I like to drink in the old-world as well, so I share your sentiment ($30-40 can get you a lot in Rhone). However, being able to visit along with interacting with great people like Anthony and Paul bring a different dynamic to the value game for us.

As I stated earlier, I think Denner is one of the producers “doing it right” in Paso Robles in terms of being faithful to the overall identity of the region while not creating wines that show off the excess of Paso. Anthony also has his own vineyard coming online in the coming years under a new label and I think they’ll show even more restraint and character. He’s a very bright and engaging person who is serious and thoughtful in his approach and definitely someone who will help move Paso Robles forward.

Nice piece, thanks! It’s good to read about Paso from someone who clearly gets the romance of the place. Like you, I’m pretty optimistic about the wines going forward - there’s such great ground and the kids in the cellar are committed. The culture, how to describe it - that outback feel - I guess I see it going full-on funny money posh and for some reason, even though I’m fond of Napa, that possibility worries me. But oh man so much great wine and a promise of better things with Ryan, Anthony, Brian Benson, Jordan, et al, growing with the vines.

Paso has pretty much lined up as being my favorite California region. Love the vibe there, wines are a relative value to Napa, and to your point, many are evolving yet aren’t receiving the attention that is deserved (which is good for my budget).

Keep your eye on the fringes in order to predict the future. Nicora is under the radar…for now.

Driving Willow Creek Road in a roadster watching the sunlight filter through the oak trees… pretty incredible setting. The money was going to inevitably come but there’s still a very small town feel to Paso Robles and it’s insulated enough from the Bay area and Los Angeles to still be culturally distinct which I don’t think is the case in Napa. There’s still a tremendous amount of untapped potential and untouched property as well - the surface is barely being scratched.

I too fear the accessibility of winemakers diminishing as in Napa and the curtain is being pulled in front of the cellars. There’s a growing hospitality character to wineries and the reality is that the vast majority of consumers are looking for that experience. But there’s still something to the culture in Paso Robles - the winemakers are still figuring out things themselves and in a way I think they’re interested in sharing their experiences and their discoveries.

Jason was telling me that the majority of acres under vine were still Cabernet and Merlot in Paso Robles. However on the west side we see more Rhone, Zinfandel, Tempranillo and other varieties that don’t have the market cachet of Cabernet Sauvignon, Pinot Noir and Chardonnay. I think this creates a sort of attitude that producers still feel like they have something to prove. Even if they’re having tremendous success regionally, nationally (and internationally) they’re still the up and comer. In that sense, there seems to be no sense of complacency among so many producers. They’re looking to try something different, looking to improve somehow and change when necessary. It’s definitely an exciting time.

I think you make some great points here, Taylor. Your identification of white rhone varieties as being particularly high-quality is quite perceptive, imo; I’ve never really thought about it, but, now that I do, I think I agree with you on that one. I’ve had some amazing white rhones from Tablas, and I generally prefer Viognier and Grenache Blanc from the area over their French counterparts.

Taylor,

You sure you’re not being paid by the Paso Wine Alliance?!?!? :slight_smile:

Astute points indeed - and yep, there certainly are some great things being done in Paso.

As far as white rhones go, though, I do believe that points South still have an edge of their Paso counterparts. Yep, Tablas is certainly leading the way and I’ve had some nice stuff from L’Aventure, Ranchero and a few others, but their prices seem to be going up quite a bit over the past few years (I’ve seen many over $40 and approaching $50). They may be quite good, but to me, and it’s just me here, those prices scare me away a bit . . .

As far as Syrah goes, I would tend to agree with you - much of the climate up there is much warmer than, say, the Sonoma Coast or Anderson Valley, so their syrahs tend to lack some of the ‘cool climate’ wonderfulness that I and many others look for in the variety.

What’ll be interesting to see is whether or not they truly allow the varieties you mentioned - grenache and mourvedre - shine on their own, or whether many producers will continue to blend other things in to ‘fatten them up’, or ‘add color’, or ‘add structure’. to me, those varieties are so darned pretty and/.or funky, that to blend other things in just takes away from what makes them them . . .

Off the soapbox - thanks for the write up. Now come on down South and spend some time :slight_smile:

Cheers!

It would also be great to see some Portuguese varieties planted, but I’m not holding my breath for that one.

I wish I was being paid Larry! The most recent tasting of whites at Tablas and Denner pretty much sold me on the white wines of Paso Robles. Honestly, I know Roussanne has continued to struggle with some of the heat/drought and the Viognier can be too unctuous and fat, but recently some producers have been nailing some of these white wines recently. I’m guessing more experience, the addition of Picpoul in recent years and the management of Grenache Blanc malo levels has lead to numerous wines that have real character, texture, energy with a defined mineral edge.

Some are still making wines too steely and nervy with no real weight or character, while others are still too fat and rich. I’m not a real domestic Chardonnay fan and quality white burgundy can be quite expensive but these are quite affordable, interesting white wines with character, charm and balance. I would recommend the 2013 Tablas Creek Cotes de Tablas Blanc which was less than $22 for us (after discount). Just a very nice juxtaposition of energy and texture.

And yes Larry, we will definitely be visiting in the near future. Exploring Santa Barbara County is definitely on the agenda. I expect to find more cool climate character Syrah and I hear some guys are making some pretty good Rhone variety reds as well! neener

Good distillation. Anyway, the water politics and the distinct anti-Disney mindset of the locals should prevent any precipitous change. I agree that the creative, cooperative identity of the wine scene there is pretty unique and worth protecting.

You’ve got me California dreaming, my friend!

Taylor, did you get a chance to taste The '13 Kinero Roussanne? I’ve tried the Denner Blanc, but never this - looking forward to it though.

I believe that there’s now a moratorium on new irrigated vineyards on the east side. However on the more western portions there’s enough precipitation to dry farm in site specific areas. I know at least one producer, Kevin at Kukkula, who is doing total dry farming with zero irrigation. (zero infrastructure in place, but he’s more northern than Tablas). He’s also hanging a ridiculous low yield of fruit at .5-.75 tons per acre.

In most cases, quality producers can pull just enough water from the wells and in more established areas can dry farm most portions of the year. This is likely true for the big money projects like Law Estates. In reality, there’s not much stopping big money projects in these areas especially since they’re not planting at high density and pulling heavy yields per acre. (likely less than 2 tons per acre). They’re also dropping fruit since they’re looking for immense concentration.

This exists in contrast to Napa Valley producers who are yielding very low pound per plant, but are intensively planting to the degree that they’re still pulling 4-6 tons per acre. Consequently, irrigation is absolutely critical. Of course, property values are drastically different in Napa and Paso Robles which is why this is occurring, but I don’t see any real barriers to some of these high dollar projects just yet.

Things will eventually change, but again, I think it’s so insulated from major population centers that it will always temper some of that excess in a way. Something also worth mentioning is just the topography itself which limits sprawling vineyards, large scale development and high density planting. Hopefully those things always keeps some of the character of Paso Robles in place.


We didn’t try any of the Kinero whites while we were there but we did sample some Bassetti Grenache to be bottled under his Kinero label. Pretty intriguing, serious stuff.