I had the chance to work as a comi and later chef de parti over the fish section at L’Arpege for a couple of months in 2005. My first night working at L’Arpege, I was shocked to see Alain Passard not only in the kitchen, but working the passe. I had worked at one other Michelin starred restaurant a few months prior and never saw the chef.
At the other restaurant only the sous chef worked the passe. The sous chef decorated things in a deliberate way, making the dishes look just so before he sent them out. As a comi if you dared to place something on the plate you would be fired, I’m sure. Not at L’arpege everyone collaborated on dishes. The dishes weren’t as precise as the other restaurant but they were full of energy. Nothing was stacked or placed in tight mold formations. The food was sort of Jackson Pollock-ed on the plate. It was beautiful. That first night I mostly chopped onions and did menial tasks but I did place rather clumsy dollops of curry flavored foam on a few plates of couscous and vegetables while they were on the passe. Passard and the other cooks bustled around as I did so.
After a couple of weeks I was asked by the sous chef, Anthony, to take over the poisson station after the chef de parti at the time left for another opportunity. I nervously agreed. For two weeks I trained for the position. Along with about 50 other things I learned how to grill monk fish and make sauce vin jaune for Passard’s signature lobster dish. Even with the training, my first night alone on the job was frantic. I was “dans la merde” the whole time. Passard saw me struggling and stepped in to help. After a couple of nights I began to hold my own.
If you haven’t seen the kitchen at L’Arpege, it is tiny. There is one white enamel and brass piano top stove which is shared by the viande, poisson and most importantly legume stations. So, everyone is on the one stove but the garde manger who is located on the wall that separates the front of the house (dining room) from the kitchen. A narrow passe, where all the food is dished, separates the garde manger and the other stations. Pastry is in the basement along with the walk in refrigerator, cave (cellar) and co-ed locker room. Oh and a private dining room for Chef Passard is down there too.
As many of you have expressed on epicurean exploits, L’Arpege is a great restaurant. Twice a week we received fresh vegetables directly from Passard’s own farm/garden. I worked there through the summer so we were getting lots of heirloom tomatoes and multi-colored baby carrots. We roasted small beets in salt crust which were so simple but extremely elegant. Visually I thought the vegetable dishes were the most beautiful. The most flavorful dish, keep in mind I didn’t order the dish in the restaurant but tasted spare pieces here and there, was a pigeon dish crusted with candied almonds and placed in the center of huge plate with a fond brun de volaille and the blood from the pigeon to thicken the fond into a glace. The most nuanced dish, I thought was one that I was in charge of (figures) lobster in sauce vin jeaune. That sauce is so soft and carried the perfect flavor for delicate lobster.
My favorite dish is a collaborative one. “Tomates Confit aux Douze Saveurs” was prepared by the entire kitchen. The pastry chefs skinned the tomatoes and stuffed them with the spice and nut mixture, all the stations at the stove basted them with the caramel mixture for hours and hours and the garde manger dished them and garnished the plate. Every ounce of spare time, and trust me the spare time only came in tiny ounce amounts we were supposed to baste the tomatoes; otherwise they crumple around the stuffing. The sous chef and Passard were constantly reminding “arose les tomates! arose les tomates!” baste the tomatoes!
There are a few things in life you wish you could do on a long term basis. Working at L’Arpege is one of them for me.