Just got back from Pogos looking for these. Picked up a Black Slate for the first time. Happy to see that mentioned. Also picked up a Contador on sale and Abadia Retuerta.
Iām in a mode now where I will try just about any 2016 from Ribera.
Staples have got to be anything from Lopez.
Costco has a La Rioja Alta Vina Aranza Reserva 2009 for the mid 20s that I will drink all day long and is a great wine for guests.
Wine access has some pretty good spanish wines that are not too expensive. Thatās been a good resource for finding new daily drinker spanish wines.
The last couple of days Iāve been enjoying the 2009 Luis Canas āReserva - Seleccion de la Familiaā [Rioja] which is a quite good Rioja. My dense purplish example only gets better as it breathes. Although on the higher end of alcohol for the region it is not noticeable, and at age 13, the blend of US/French oak has been soaked up well. Most DOCa wines from here tend to be tempranillo ā with maybe small slugs of garnacha/mazuelo or even graciano (yuck) added ā this is unusual in that its blended with Cabernet Sauvignon instead of local varietals. (another estate, Campillo, is also allowed to do this; there are some allowances in the DO rules). Lots of coconut/Mounds on the nose, with plums and figs on the palate. Itās richly fruited, with balanced acids, and resolved tannins. For those who enjoy the Muga lineup, this is worth trying. I love it, but finding Luis Canas can be tricky - production is modest and importation/distribution seems narrow. My example was brought in by Kysela Pere et Fils, but sometimes Total Wine gets them. Also note that they have a wide range of bottlings; Reserva Familia is different than regular Reserva. If I could find these for 15 EUR (as Ivan does) Iād be delighted; in the US nowadays if one sees this Luis Canas bottling they run $30+ but are worth it. In my ledger, an easy A- with time on the side of this modern styled Rioja. After the first glass, I shifted back to a smaller, machine made stem which reduced my nervousness. The physical bottle is a heavy (696 grams!) deeply punted dark glass out of supermarket magnate Gerard Perse packaging playbook, btw.
PS: curiously, the person who shares the underground cellar next to mine, who is mostly into Burgundies and self imports a barrel or two for himself/friends, has raved about this producer before, mostly falling on my overwhelmed ears. How many oenophiles have heard āoh you just have to try this _____ beforeā ?
I may have missed it being posted earlier as I scan-read from the top, but back when I used to buy, Alejandro Fernandez Tinto Pesquera was, I recall, deservedly got credited often as a good Spanish red value.
Do not overlook Riojaās neighbor, Ribera del Duero. Both tilt towards tempranillo, but soils are different, and RdD vineyards are at higher altitudes. My 2 cents - RdD reds are more intense, darker fruits (cherries, blackberries, cassis), and less oak. Some nice blends using CS, Merlot or Malbec.
Hmmm. Iām hard pressed to think of a lighter / finesse RdD* if one is looking for that, while at least in Rioja there are lots of those older school traditional houses offering that style. I do love Hacienda Monasterio from the Riberaā¦but would consider it a big, full bodied plumper.
There are emotional/historical reasons for me too.
Spanish wines are very common in Puerto Rico where I grew up and lived for a long time. In my mind there is an almost automatic association of Rioja with too much wood.
I couldnāt tell you how many bottles of Hacienda Monasterio, Emilio Moro, Pesquera, Flor de Pingus, Pago de los Capellanes, Pago de Carraovejas, Protos, Arzuaga, Aalto and even ViƱa Mayor Iāve had. Not the higher end ones like Emilio Moro Malleolus, the basic crianzas or standard reservas. I associate them with new Spain, cool Spain, even if Bierzo or Priorat are trendier. And it affects my enjoyment. Theyāre all big wines and I havenāt had them regularly in over a decade, but the emotional aspect is still there.
Missing some of the replies since the switch but luckily I saved this reply.
Checks out so far on the French vs American. I checked through a few of my preferred producers tech sheets. Seems like a mix of where the barrels are from and how long they are aging them in barrels. Seems like RdD also maybe more prone to doing there own thing and not caring about putting Reserva on the label? A bit anecdotal, but I can only think of 2 RdD producers that I follow a bit that make Reservas while it is reversed in Rioja and I own wines from only 3 producers that donāt make a Reserva.
2010 LRA Adanza Reserva - American Oak for 3 years (the Garnacha was only 2.5 years)
2007 LRA 904 Gran Reserva - American Oak for 4 years (4 year old barrels)
2008 LdH Tondonia Reserva - 6 years in the barrels
2016 Aalto - 17 months 50% new French & American oak
Pingus PSI (from Rare Wine no vintage stated) - 18 months in a mix of cement tanks, and old barriques and large barrels.
2017 Hacienda Monasterio Reserva - 40% new Allier French oak Barrel for 16 months
My wife and I are fond of Bodegas Palacios Remondo āLa Montesaā, which is mostly garnacha(unusual for a Rioja, I think). While itās a fantastic wine, quite elegant and bright and linearāand a great QPRāit will also always carry high sentimental value for us: during the early days of the pandemic, we couldnāt get into our offsite storage, since it wasnāt an āessential businessā, and so we were caught without adequate wine reserves in the house; luckily, Costco (which was allowed to remain open) had this on their shelves, and it got us through those early days until the storage facility was allowed to reopen.