2021 German Vintage Report - Whats old is new...(UPDATED FOR VOM BODEN TOUR HIGHLIGHTS)

I noticed in Stephan Reinhardt’s recent WA report that he gave the Dönnhoff Dellchen an eye-popping hundo-p. If I’m not mistaken, the only other dry Riesling he’s previously given that to is the 2019 Keller G-Max.*

I managed to pick up a single bottle (before I saw the score) and now I’m guessing it’s going to tough to source more. Interesting that MFW didn’t care much for the wine, giving it a 91+. It’s generally one of my favorite GGs (neck and neck with their Hermanshöhle). I’m curious what folks who have tried it make of it so far!

  • He also gave the Schäfer-Frohlich Felseneck a (99-100) in the same report.

A limited impression - the Juffer kabinett hit its par, a very good wine. For spatlese I preferred the Juffer to the J. Sonnenhur this year: simpler, cleaner, more pep, more precise. Again, of course, both very good.

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I find it fairly common for me to prefer the Juffer in youth, but prefer the JS down the road.

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That’s the GG? Or the Kabinett

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The gg

Johannes said that yields tend to be between 30 and 40 hl/ha. But frost damage or peronospora cut yields in certain vintages. Besides pruning short, the Webers also don’t apply chemical fertilizers, just cow dung. The vigor of the vines is lower. The vines also have competition from other plants, as they don’t spray herbicides.

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There are actually 7 more dry german white 100 pointers in the WA by Stephan R through the time, all made by Markus Molitor.

The superlatives by Stephan R about the 2021 Dellchen are very strong: “…certainly also the most fascinating dry Riesling I have ever had. This is pure art. An adorable wine and with so much soul. It can’t be expensive enough.”

It’s intersteresting to note that Stephan states a wide drinking window 2022 - 2070. If it would have been completley non-accessible today it would maybe better explain the low and potentially a more cautious MFW note. But as stated before by some in this thread, I agree that they tend to rate dry wines much lower than sweet wines.

I liked the concentration of the 2020 Dellchen, but I would give it several years in the cellar before next bottle. I can’t really say I enjoyed the 2020 (6 weeks ago) this young. Stephan R rated 2020 96 p and it’s quite a jump up to 100 p for the 2021. If Stephan is indeed right, 2021 must bee an exceptional year for Nahe.

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Drank the 2021 Lauer Schonfels Kabinett at dinner. We were a table of 10 so I only had a small glass! It was even more stunning than I remember it at the winery. It has this fascinating combination of extreme high extract while still being light. I wrote that before checking the MFW review which also said it is all about lightness and intensity!

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Are you including the Auslese White Capsules? Those are still off-dry, no?

I thought off-dry is green capsule, no?

Yes green is off-dry. My favorites of the Molitor line up.

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Yes, they are all White Capsules and classed as “dry” by the WA.

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White Caps are dry, even if some (all?) aren’t completely bone dry. The greencaps, which I think are grossly underappreciated, are off dry.

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Does anyone know if it’s possible to order wine straight from Germany and have it shipped to the US? If so, does it make sense financially and in terms of provenance?

It is possible if you work with an intermediary. It is not possible to do it direct. When you add in the cost of shipping and paying the intermediary it is not worth the hassle on most bottles.

Others might feel differently.

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That is not a wine review - it is lifestyle pandering and feeding the hype machine. If I owned a critical publication, I would be embarassed to have one of my staff write a review like this.

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To be fair that is not the review. The review is fairly long and combines your traditional tasting notes with a lot of emotional comment. I actually like to see a reviewer give some emotion that really tells you that they like the wine. I will give Stephen credit he really LOVEs this wine. Excited to try it…

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I get it that is not the entire review- and I too love superlatives.

But the “it cannot be expensive enough” is a rather precious and unnecessary comment- while 3 grand superlatives in a row is mere overkill. That last bit is what I find inappropriate and borderline offensive.

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I agree with Robert on this. Stephan’s note is long and it also adds three paragraphs of supplemental background into. In the interest of full criticism I’ll post it here:

From slate and volcanic soils, the 2021 Dellchen GG opens with a radiant, bright, pure and flinty bouquet with fascinating, refined and subtle, highly elegant yet delicate mirabelle and Amalfi lemon fruit intertwined with slatey notes. The bouquet is heavenly to me (and will be, believe me, for all true Riesling lovers). Mahler’s 8th symphony, Fausten’s Ascension—it’s all here. Subtle intensity, a sense of wonder, perfectly interwoven, natural beauty. This nose already tells everything, and I couldn’t go on to the next wine for more than half an hour. On the palate, this is a subtle and delicate, highly filigreed yet also incredibly intense, lush and slatey, long, stimulatingly saline and always uplifted Riesling with perfectly ripe and lush fruit with fine tannins. It is a juicy, ripe wine with crystalline acidity and endless salinity that carries everything. This Dellchen is intense yet never gets heavy, but it becomes even more intense. This is immaculate, highly emotional Riesling. It’s not just the most beautiful Dellchen I have ever tasted but certainly also the most fascinating dry Riesling I have ever had. This is pure art. An adorable wine and with so much soul. It can’t be expensive enough. When Helmut Dönnhoff was speaking about the feminine, charming and tender character of the cru, it is all here. 13% stated alcohol. Natural cork. Tasted at the domaine in July 2022.

Background:
2021 is, after a long time, once again a classic vintage, something Cornelius Dönnhoff has not had in this century, but for his father Helmut, a harvest in late October and November was still common. The harvest at Dönnhoff was a good two or three weeks later than in recent years, after there had been no hot spells but frequent showers without thunderstorms. Peronospora was the challenge of the vintage. It required meticulous crop protection as well as foliar work to keep the foliage wall airy and healthy. Without such, as well as a late harvest, physiological ripeness would not have been achievable in 2021. The harvest began in the last week of September and lasted until the second week of November, when the nights had long since returned to a sensitive cool. Must weights were low, but the grapes were still ripe, even though acids were very high. Dönnhoff maintains a large team and was able to harvest at the right time in every site. Since there was virtually no botrytis in the middle Nahe, it was not possible to select any Beerenauslesen and Trockenbeerenauslesen here, just Eiswein.

The musts were cool due to the cold nights and could be processed without haste.

That the 2021s also managed without residual sugar to balance the high acidity (10 grams per liter) is something no one would have thought at the beginning of harvest, even at Dönnhoff. But since it was partly precipitated as tartar, the wines are riper and rounder on the palate than was thought in the fall. In order to buffer the acidity naturally (with potassium and calcium), the musts were left on the extract-rich grapes longer than usual. The tartaric acid thus found binding partners and could partially precipitate, if the wine was given enough time.

The results of the vintage are outstanding, especially with Dönnhoff, especially with the Grosses Gewächs and the Auslese category. I caught the GG from the Dellchen at the perfect moment at the end of July, but the wine still tasted great to me four weeks later in Wiesbaden.

Edit to add that I of course do not subscribe to the gender attributes, but since Stephan is citing, he gets a pass. Helmut Dönnhoff does not.

If reviewers were to solely use flavour descriptors, I suspect many wine reviews would get pretty bland and homogeneous.

I think most of us recognise some wines are able to evoke deep and emotional responses when tasted. One may not experience the same reaction as someone else, but that does not invalidate a a particular taster’s experience.