TN: Tuscany travelogue / winery visits (updated: Coste del Vivo)

Our third winery visit - and second one in Radda in Chianti - was at Tenuta di Carleone. I had originally arranged the visit with the oenologist Sean O’Callaghan, but since he was not available on that day, Alioscia Lombardini - the administrative director of the winery - took did great job showing us around and pouring us the wines.

The wines of Tenuta di Carleone had popped in my radar in a tasting some while ago where their somewhat atypical, light and delicate expression left a positive impression on me. The more I read about the winery, the more often I saw the wines described as “Burgundian” - something which seemed to ring true, based on my observations. Since the winery was located in Radda - a town in which were staying for a few days - we had a perfect opportunity to check out what this winery was all about!

Tenuta di Carleone

This winery is a newcomer in the local wine scene: it has been around only since the early 2010’s! The whole project started when the Austrian entrepreneur Karl Egger of KE KELIT purchased two dilapidated properties right below the northern edge of Radda: the tiny hamlet of Castiglioni and the old Tuscan farmhouse Pianvecchio.

The properties came with approximately 100 hectares of land, encompassing wooded hillsides and around 20 hectares of vineyards. Soon thereafter Egger hired the oenologist Sean “Il Guercio” O’Callaghan - the longtime winemaker at Riecine, in the nearby region of Gaiole - to take care of winemaking while at the same time renovating a medium-sized property right next to the town of Radda to serve as the winery for the project. The renovation of Pianvecchio was finished in 2019 and Castiglioni in 2020 (and today they operate as premium villas one can rent for a minimum period of one week), but when we visited the winery, it seemed like renovations at the winery were still underway, although it has been fully operational for some good while.

Although Egger owns the winery, he has left O’Callaghan to make the wines more or less as he sees fit, so these wines are truly the expression of what O’Callaghan wants to make. The main philosophy of O’Callaghan is that of minimal intervention and minimal extraction, resulting in wines that are wonderfully perfumed and remarkably light and delicate - even in the context of Radda in Chianti, which is already known for their relatively light wines.

O’Callaghan prefers to crush the grapes by foot and ferment the wines spontaneously with indigenous yeasts. Most wines are aged in concrete tanks or even large bins - oak barrels are used quite sparingly and are mostly old and neutral. The portion of new oak in wines that see any oak is kept very small. Furthermore, with some wines O’Callaghan prefers to keep a portion of fruit in whole bunches, thus employing some carbonic maceration in the winemaking. This helps to both add aromatic complexity to the wines and tame down some of the acidity that can be quite high in the wines of Radda.

Concrete tanks to the right, open-top fermentors and stainless steel tanks in the back:

Rows of mainly old tonneaux:

Some more tonneaux along with six plastic tuns (four empty, two filled with wine macerating with the skins):

Thanks to the very delicate winemaking and avoiding extraction, O’Callaghan can keep the wines for remarkably long times in contact with the skins. One to two months of skin contact is perfectly normal for the reds of Tenuta di Carleone, and some wines see up to four months of skin contact - yet the wines remain very delicate with supple and well-controlled tannins.

Unlike many wineries in Radda that have their vineyards in the immediate vicinity of the winery, the (currently 32 hectares of) vineyards are scattered in and around Radda - for example the vineyard from which their flagship red Il Guercio is made is located in the neighboring region of Gaiole. This naturally creates some additional logistical and viticultural challenges, but at the same time is works as a insurance of sorts: a winery with all the vineyards in one place might suffer badly from very localized natural phenomena, like hailstorms, whereas scattered vineyards located in various different places might stay safe for the most part. Furthermore, vineyards located in places with different altitudes and aspects help to even out differences in vintages.

And indeed, the wines are very fine, lithe and delicate! The color in of all the wines can be surprisingly pale and the overall feel in all the wines is very light and ethereal. Even in the flagship reds the tannins are well-managed, making the wines feel texturally very gentle and silky.

When I asked whether people have already found the wines even when the winery is still so young, Alioscia told us that they have no problems with selling the wines: the wines have turned out to be quite sought-after and they selling all their annual production with ease. However, as the winery is still so young, they still struggle to break even due to the costs from founding a new winery, meaning they still operate to some extent with external funding. However, future seems pretty bright at the moment as the new winery renovations are almost finished, they can start to operate without problems at full capacity and the wines continue to sell - although problems vintages like this 2023 (yields down from 30% to 50%!) do cause some unexpected and unwanted delays in the progress.

As for the size of the production, the winery produces approximately 130,000 bottles of wine, of which the basic Chianti Classico covers 60,000 bottles, ie. almost half of all the wine produced.

After going through the winery we tasted all the wines currently in production apart from the “2nd wine”, Due, and the Alicante Bouschet pét-nat, Tinto.

  • 2022 Tenuta di Carleone Pianvecchio - Italy, Tuscany, Toscana IGT (23.9.2023)
    A blend of white varieties - Vermetino and Riesling, according to the winery; Trebbiano, Malvasia, Vermentino, Riesling and Gewürztraminer, according to the internet - from vineyards averaging 8 years old. The wine is named after the old, traditional farmhouse, "pian vecchio", next to which is a vineyard of white varieties. The grapes are macerated with the skins for a few hours for added aromatical depth. Fermented spontaneously and aged in stainless steel tanks. 12% alcohol.

    Pale yellow-green color. The nose feels a bit reticent with somewhat linear aromas of apple and cantaloupe, some floral notes of apple blossom and a little bit of waxy funk. The wine feels refreshing, pretty acid-driven and somewhat neutral on the palate with a quite light body and rather linear flavors of ripe citrus fruits, some fresh white fruits, a little bit of tart Granny Smith apple, light steely mineral notes, a floral hint of white flowers and a touch of borderline unripe pear. The high acidity lends good sense of freshness to the wine. The bone-dry finish is refreshing and rather neutral with a medium-long aftertaste of Granny Smith apple, some lemony tones, a little bit of green herbs and a hint of steely minerality.

    Although the wine supposedly sees some international varieties, this still feels like a generic Tuscan white: rather simple and neutral. I guess the Riesling component might be behind the bright, zippy acidity, but I can't say I detected any varietal Riesling flavors at any point. All in all, a decent everyday white, but nothing special to write home about. Not really worth the 18€.
    (84 points)

  • 2022 Tenuta di Carleone Rosato - Italy, Tuscany, Toscana IGT (23.9.2023)
    100% Sangiovese harvested early from multiple vineyards around Radda in Chianti. Whole bunch pressed and cold-soaked with the skins for color. Fermented spontaneously and aged for a few months in stainless steel tanks. 12% alcohol.

    Pale salmon-pink color. The nose feels very reticent and subtly sweet-toned with vague aromas of strawberries, some nuances of cantaloupe and a whiff of creaminess. The wine feels ripe, juicy and somewhat reticent on the palate with a medium body and quite understated flavors of vague spicy tones, a little bit of creaminess, light strawberry nuances, a hint of stony minerality and a faint touch of salinity. Balanced, moderately high acidity. The finish feels slightly more fruity with a medium-long aftertaste of ripe citrus fruits, some red apple tones, a little bit of saline minerality and a leesy hint of yeast.

    A quite pleasant but overall pretty understated, simple and generic little rosé. Drinkable, but nothing that would get me excited in any way. Perhaps a bit pricey for the quality at 15€.
    (83 points)

  • 2020 Tenuta di Carleone Chianti Classico - Italy, Tuscany, Chianti, Chianti Classico DOCG (23.9.2023)
    100% organically farmed Sangiovese sourced from multiple vineyards in and around Radda in Chianti. Fermented spontaneously in stainless steel and concrete tanks. Macerated with the skins for two months; 10% of the fruit is kept as whole bunches, undergoing carbonic maceration. Aged for 18 months in stainless steel and concrete tanks. 13,5% alcohol, 0,8 g/l residual sugar, 6,05 g/l acidity, pH 3,42 and 64 mg/l total SO2.

    Youthful, luminous and quite translucent black cherry color. The nose feels fragrant, somewhat sweet-toned and slightly perfumed with expressive aromas of dark fruits and ripe black cherries, some brambly raspberry tones, a little bit of sweet floral lift, light aromatic green nuances of raspberry leaf tea, a hint of pipe tobacco and a subtly volatile touch of balsamico. The wine is dry, clean and airy on the palate with a medium body and layered flavors of sour cherries and brambly black raspberries, some earthy tones, a little bit of graphite, light tart notes of lingonberries, a faint hint of farmhouse funk and a touch of fresh dark berries. The overall feel is very balanced and quite sinewy, thanks to the bright high acidity and firm medium-plus tannins that slowly pile up on the gums. The finish is dry, long and gently grippy with a quite intense aftertaste of pronounced sour cherry bitterness, some brambly raspberry, a little bit of tart lingonberry, light earthy nuances, a hint of leathery funk and a touch of gravelly minerality.

    A very bright and airy Chianti Classico that is sort of low-key in nature, but not necessarily light or lacking in intensity. This wine just emphasizes the lightness, freshness and elegance that is so typical of Radda Chianti - this wine is not trying to be a big, dark and concentrated blockbuster Sangiovese, but instead is a quite Burgundian take on the style, emphasizing dry, red-toned fruit flavors and brisk acidity. Only the somewhat pronounced sour cherry bitterness that seems to grow in intensity towards end of the aftertaste is what really roots this wine in the realm of Chianti Classico (unlike Carleone's IGT Sangioveses that feel stylistically even more Burgundian than this wine!), along with the good backbone of tannins. The overall style is still very youthful, but I don't expect the wine lose its energy and vibrancy even with extended cellaring. This is a fine and very elegant Chianti Classico that drinks really well right now but will also continue to improve greatly with further aging. Priced according to its quality at 24€.
    (91 points)

  • 2021 Tenuta di Carleone Il Randagio - Italy, Tuscany, Toscana IGT (23.9.2023)
    The odd one out in Carleone red wine range: this is a blend of organically farmed Cabernet Franc and Merlot - some sources say it's a 1:1 blend, others say it's a Cab-driven blend. Don't know. The grapes are vinified as whole bunches that are crushed gently by foot, leaving some intact berries for carbonic maceration, then fermented spontaneously and aged on the skins for a long time - 4 months - in concrete tanks. Pressed off the skins and aged in concrete tanks for a total of 12 months. 13,5% alcohol, 0,6 g/l residual sugar, 5,85 g/l acidity, pH 3,51 and 58 mg/l SO2.

    Dark, youthful, somewhat translucent black cherry color. The nose feels slightly sweeter and darker-toned compared to the other Carleone reds with aromas of ripe dark berries and some red plums, a little bit of tobacco, light funky nuances of old leather, a hint of dried aromatic leaves of herbs and a touch of fresh redcurrants. The wine feels youthful and quite fruit-forward yet still pretty savory and spicy on the palate with a medium-to-moderately full body and harmonious flavors of ripe red plums and fresh blackcurrants, some lifted floral notes of violets, a little bit of sour cherry bitterness, light spicy notes of crushed peppers and perhaps a little bit of paprika, wild hints of vague leathery funk and balsamic VA and a touch of tobacco. The wine feels fresh and balanced with its high acidity and ripe medium-plus tannins that slowly pile up on the gums. The finish is firm, dark-toned and moderately grippy with a long, dry aftertaste of fresh red plums and blackcurrants, some savory spicy tones, a little bit of tobacco, light sour cherry nuances, a lifted hint of sweet, balsamic VA and a touch of leathery funk.

    I'm not usually that keen on Tuscan IGT wines made with international varieties because I'm very partial to Chianti Classico and other Sangiovese wines. However, this wine took me by surprise - even if it is the entry-level wine of the winery made with Bordeaux varieties, it is a surprisingly serious and complex effort for such! Despite the blend of French varieties, the wine isn't made to be a Bordeaux clone - on the contrary, the style is somewhat closer to a Loire Cab, perhaps from a warmer (ie. not herbaceous) vintage. The style here is very delicate and non-extracted, yet not without muscle and fruit. You can taste how the wine really emphasis the purity of fruit, combining judicious sense of ripeness with wonderful sense of freshness and focus. Typical of Carleone wines, there's a little bit of that fragrant, floral character - perhaps from the carbonic component - and a tiny bit of funk that doesn't really overwhelm anything, just adds a lovely overtone of rustic complexity to this otherwise quite delicate and very sophisticated little red. Drinking wonderfully now, but will most likely evolve and improve for at least a handful of years. Terrific value at 16€.
    (90 points)

  • 2020 Tenuta di Carleone Uno - Italy, Tuscany, Toscana IGT (23.9.2023)
    One of the two Tenuta di Carleone's flagship Sangioveses. This is 100% Sangiovese made with the best grapes of the best organically and biodynamically farmed parcels in and around Radda. The fruit is crushed by foot and then fermented spontaneously in concrete tanks and open bins, macerated with the skins with minimal extraction over two months. Aged in concrete and stainless steel tanks (90%) and a small portion (10%) in partially new Tonneaux over 18 months. Annual production 15,000 bottles. 13,5% alcohol.

    Cleat and very translucent cherry-red color - surprisingly pale for a Sangiovese. The fine-tuned nose feels wonderfully fragrant and attractive with heady aromas of violets and lighter floral nuances of rose petals along with fruity notes of ripe raspberries, fresh Bing cherries and some strawberries, a little bit of cherry marmalade, light sanguine notes of iron, a hint of peppery spice and a touch of sun-baked rocks. The wine feels ripe and sweetly-fruited but also very silky and delicate for a Sangiovese from the heartland of Chianti Classico. The overall feel is airy and medium-bodied with layered flavors of raspberries, some stony mineral notes, a little bit of ferrous blood, light floral nuances of violets and roses, a sweet hint of ripe Bing cherries and a savory touch of meaty umami. Structurally the wine feels balanced and quite supple with its rather high acidity and surprisingly light tannins that slowly pile up on the gums. The lengthy finish is dry, delicate and gently grippy with bright, crunchy flavors of fresh cranberries and brambly raspberries, some sour cherry bitterness, a little bit of meaty umami, light perfumed nuances of sweet floral lift, a hint of wild strawberry and a sweeter touch of ripe dark berries.

    This wine is somewhat surprising when tasted after Tenuta di Carleone's Chianti Classico. Normally one would expect the flagship wine to be a bigger, burlier and in all ways more impressive version of the "second wine". Well, in Tenuta di Carleone's case their Chianti Classico (arguably their "second wine") and their flagship wine Uno are just two sides of the same coin: their Chianti Classico is closer to the traditional ideal of the style, sort of more "Bordeaux-like" take on Sangiovese; whereas their Uno is a lighter, more delicate, markedly very Burgundian take on Sangiovese. However, this is still identifiable for a Chianti Classico - albeit a very atypical for the genre. I know people who don't like Chianti Classico because of their noticeably high acidity, often rather grippy tannins and rather pronounced sour cherry flavors - for them this lighter, more delicate take on the style is a perfect alternative. It is lighter, more fragrant and so elegant, yet offering very classic Sangiovese elements at the same time. Although the producer labels it under the IGT Toscana appellation, this is is a Burgundy drinker's Chianti Classico, if anything. It is wonderfully approachable right now, but I expect the wine will continue to evolve and improve for a good amount of years more. Although this is a lovely wine by all accounts, I still feel it is maybe a bit ambitiously priced at 65€.
    (91 points)

  • 2021 Tenuta di Carleone Il Guercio - Italy, Tuscany, Toscana IGT (23.9.2023)
    100% single-vineyard Sangiovese from the Mello vineyard located in the hamlet of Lamole, in Gaiole in Chianti, located about 5 km north from the winery and at the altitude of 700 m above sea level. Harvested only when the grapes have reached optimum ripeness, which can be very late in some vintages, due to the exceptionally high altitude of the vineyard. Fermented in concrete tanks (30% whole bunches). Macerated with the skins for 120 days (4 months)! Aged for 12 months in concrete tanks. As the Chianti appellation doesn't allow for vineyards at such high altitudes, the wine is bottled under IGT Toscana appellation - even if it is technically a Chianti Classico in all other aspects. 13,5% alcohol, 0,4 g/l residual sugar, 6,25 g/l acidity, pH 3,55 and 50 mg/l SO2.

    Quite noticeably pale and fully translucent raspberry-red color. The perfumed, seductive nose feels very harmonious and attractive with sweetly-fruited aromas of ripe red berries and Bing cherries, some fragrant notes of violets and rose petals, light lifted nuances of ethery VA, a little bit of raspberry juice, a hint of pipe tobacco, a touch of darker forest fruits and a whiff of spice cabinet. Lots of things going on here. The wine feels remarkably delicate, airy and silky smooth on the palate with a rather light body and nuanced flavors of fresh red fruits and sweet strawberries, some crunchy cherry tones, a little bit of stony minerality, light lifted notes of balsamic VA, a savory hint of meaty umami and a touch of brambly raspberry. The structure seems to rely almost solely on the rather high acidity as the light and supple tannins contribute only a little bit to the suave texture, packing no noticeable grip or grit. The finish is savory, slightly warm and subtly grippy with a fresh, layered aftertaste of ripe red fruits, some savory notes of umami, a little bit of brambly raspberry, light perfumed floral tones, a hint of wild strawberry and a faint lifted touch of ethery VA.

    Tenuta di Carleone is often described as a winery that makes very Burgundian Chianti Classicos. While I do agree with that sentiment regarding their other Chianti Classicos, this wine doesn't really feel like that description makes it justice. I mean this doesn't really feel like Chianti Classico, this feels more like a Volnay that just happens to come from Tuscany. Although the wine is 100% Sangiovese, the combination of high-altitude vineyards, very delicate (or almost complete lack of) extraction and other winemaking choices have resulted in a wine that is very pure and unadulterated Sangiovese, but at the same time almost unrecognizable for the variety. I don't know if this is good or bad - if you are looking for a Chianti Classico, you might be disappointed with the wine; however, if you are looking for a very harmonious, characterful and elegant red from the lighter end of the spectrum, this is a beautiful wine. Truly a Burgundy-drinker's Sangiovese. I must admit I prefer Carleone's more classically styled, somewhat more structured wines more, but this is still a beautiful wine in its own right. However, the wine feels perhaps a bit pricey for the quality at 50€.
    (90 points)

Posted from CellarTracker

The winery (to the left), the tasting room (to the right) and the hills southeast from Radda (in the background):

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Great report Otto ! I’m bringing a bottle back home with me of the 2020 CC and will have to look around for more. I really like the style. Thanks for the detailed update. I am curious what you find out about whether any older oak is used for aging the CC.

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A very entertaining read, as ever! Thanks for making the effort.
Excellent choice of wineries to visit, Montenidoli in my opinion a true totem of Tuscan wine, Val delle Corti also definitely a stand-out. Shame about not having gained access to Montevertine: those visits can be very ehm interesting :slight_smile: (or rather once were, could be, whatever…). Carleone, I completely agree with your assessment of the wines (minus the white and the Cane Randagio which I’ve never had): I have followed from the very start and have mostly felt that the CC is very good and worth buying (although now at 25EUR pushing it a bit given what else is available at or under that price level), the Rosato just doesn’t really do anything for me, and the two premium wines (Uno and Il Guercio), while regularly very good, do not quite live up to their price tags… So, again, bravissimo and keep it up!

I’m always glad to hear from people who have tasted the same wines (and who have palates mine aligns with) agree with my observations - it feels I’m on the right track!

Montenidoli was a must-visit place just because Il Templare was one of the very first natural wines I’ve ever tasted! I have returned to their wines every now and then and always loved what I was drinking - they are truly honest wines!

And Val delle Corti truly is a standout. I just needed to visit the place and see for myself what they were doing after having tasted a few vintages of their basic CC! Although I love traditionally made (only local varieties & no noticeable oak aromatics) Chianti Classico, very few basic-level CC wines I’ve tasted have left such an impression.

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Having tasted vintages going back to 1999 (and, as a matter of fact, I still own some of these older vintages,'99-'08), Il Templare is simply one of Italy’s finest white wines or, rather, wines in general, full stop. Not entirely sure what you mean by “natural” here, though. I remember I once tried broaching the subject (of the “natural wine movement”, just to be clear) with Signora Elisabetta (some time in 2010, I think) and (euphemism alert) she was not very impressed :-).

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Very informative post, Otto. Thank you.

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Indeed, I think that Il Templare I was talking about was introduced to me as “a natural wine which its producer would never call a natural wine”.

I really don’t wonder why signora Elisabetta would scoff the natural wine moniker. After all, she has been making wines this way since the beginning and it is the only way she has ever made wine. It seems only natural someone would find it weird how their wines have always been described as just “wines”, until suddenly a new movement of wines becomes popular as more and more producers are making wines like her and calling them “natural wines”.

I myself never touched the subject on my visit, though. Basically the wines are as “natural” as they get, but to me, they are just very honest wines really representative of the region they come from. I guess many modern-day natural wine zealots wouldn’t even recognize them as “natural wines” since they don’t taste like your typical natty glou glou wine. :smile:

Finally, fully agree with your view on Il Templare. It really isn’t a wine that might feel like exceptional with first sniff or sip - and I guess it could be easily overwhelmed in a larger wine event with more bombastic wines. It does have depth and power, but it is also remarkably subtle and to me, its finesse really lies in its understated complexity. The wine does take its time to really unfurl itself.

I suppose the wine does age wonderfully if you still have vintages going back almost quarter of century?

And more is yet to come! :wine_glass:

Great notes, Otto - we on the East Coast have been lucky with respect to Montenidoli’s wines, as Rob Panzer has been bringing in the complete lineup for the last decade or so. I tend to like the Fiore better than the Tradizionale, and the Carato is very cool as well, reminding me of some Jura wines.

And I agree with you about the Colorino - sometimes a grape’s “highest & best” use is simply to be part of a blend.

Our third - and last - winery visit in Radda in Chianti was at Fattoria Poggerino, ie. the place we were also staying over for a few nights. Thus, the trip to the winery wasn’t too hard: all we had to do was to walk down the 400 m trip (and 100 m descent!) from the agriturismo almost on top of the hill to the winery at the base of the hill. Although the steepness of the slope did make the descent a bit difficult!

The photo (taken from the base of the hill in the direction of the agriturismo) might not have the best sense of perspective, but the hillside is pretty steep!:

Fattoria Poggerino

The winery has its beginnings in the 1980’s, but the estate is much older: it belonged to Prince Ginori Conti, a member of one of the old Florentine families. Floriana Ginori Conti - mother of the current owner, Piero Lanza - inherited part of the property from her father in 1973. Together with her husband Fabrizio Lanza, she started producing wine under the Poggerino label in 1980.

Piero Lanza started making wine at the estate in 1988 and took over the estate with his sister, Benedetta Lanza, in 1999. Today Piero Lanza is responsible of viticulture and winemaking, while Benedetta Lanza takes care of the agriturismo side of the business.

Rows of Sangiovese leading towards the winery (you can also see the trees surrounding the Montevertine winery on the hill, right above the right-hand vineyard post):

Under Piero’s leadership the winery has converted its vineyards to organic farming (certified in 2012) and employing biodynamics in the viticulture as well. During his time also the style of wines has moved away from the darker-toned, more international oak-forward style and towards a more traditional style of Chianti, employing long maceration times and either old oak botti or concrete tanks.

Most Sangiovese was still waiting for the harvest:

The estate encompasses three poderi: the winery and administration buildings are located beneath the vineyards, at the altitude of 400 m above sea level; the b & b is located some 400 meters away, right above the vineyards, at the altitude of 500 m above sea level; there’s a third podere in the vicinity of the b & b, on a small hill on top of the larger hill, giving the estate its name, Poggerino (meaning “a small hill”). Originally the winery name confused me a bit, since the hill on which the vineyards are, is definitely not a small one! However, this etymology clarified things a lot.

The agriturismo building:

The estate covers around 43 hectares, of which 12,5 is under vine; 11,5 hectares of Sangiovese and 1 ha of Merlot. There is also a tiny bit of Canaiolo and a few odd rows of Cabernet Sauvignon. I was told Piero experimented with Cab, but even a small addition just cut through in a way he didn’t like, so it never really made it to their Chianti. I wasn’t told whether the few Cab grapes go into some other wine, though! I understood the tiny Canaiolo component usually is used in the production of the basic Chianti Classico. The annual output of the winery is normally around 65,000 to 70,000 bottles.

The winery part of the estate:

We didn’t take the winery tour with Piero Lanza, because our schedules that day didn’t really suit a longer visit; instead we just tasted through the range of wines and I managed to steal a small peek into the winery. We did see Piero during our stay, however; he seemed to be always in a hurry, coming from or going somewhere, or just giving a winery tour for the visitors. My only communication with him was when he passed us by and I managed to deliver him greetings from Signora Elisabetta of Montenidoli - who said during our visit at Montenidoli that she holds Piero Lanza in high regard and told us he is doing very fine things in Radda (this seemed to be reflected by the other local winemakers as well, whenever we told we were staying at Poggerino).

It total Fattoria Poggerino makes seven wines:

  • Il Labirinto - an entry-level Sangiovese aged in concrete tanks
  • Aurora Rosato - a rosé made from a blend of early-harvested Sangiovese and a portion bled off from the red wines
  • Spumante Rosé Millesimo - a bottle-fermented Sangiovese rosé sparkling wine aged for an extended period on the lees
  • Primamateria - a blend of Merlot and Sangiovese, aged in partly new French oak tonneaux
  • Chianti Classico - the traditionalist wine and the backbone of the winery; 100% old-school Sangiovese
  • Chianti Classico Nuovo - made with a clone of Sangiovese producing larger bunches of thin-skinned grapes, aged in Nomblot egg-shaped concrete tanks
  • Chianti Classico Riserva Bugialla - a single-vineyard Chianti made with old-vine fruit sourced from the highest-altitude vineyard

Here’s the map of the estate (everything on the right side of Strada Provinciale 72); the vineyard that supplies the fruit for the Riserva is encircled in red:

We tasted the following wines:

  • 2014 Fattoria Poggerino Spumante Rosé Millesimo - Italy, Tuscany, Toscana IGT (23.9.2023)
    Made with organically farmed Sangiovese grapes - the earliest ones to be harvested at the estate - usually picked in late August or early September, depending on the vintage. Macerated briefly with the skins during the crush. Fermented spontaneously and aged on the lees with periodical bâtonnage until the spring following the harvest, when the wine is clarified, filtered and bottled. Aged on the lees for 6,5 years, disgorged on 18th of November, 2021. A portion of annual production is made into liqueur d'expédition that is used to fill the disgorged bottles, so the wine is 100% from one single vintage only. 12% alcohol, 4 g/l dosage. Bottled under IGT Toscana Rosato Frizzante appellation. Total production 1,000 bottles.

    Pale seared salmon color. The nose feels characterful and quite distinctive with aromas of raspberries and even some slightly vegetal raspberry leaf tones, some developed notes of caramel, a little bit of cooked rose hips, light evolved meat stew tones, a hint of smoke and a touch of toasty autolysis. The wine feels dry, fresh and pretty crisp on the palate with a light-to-medium body and quite complex flavors of tart Granny Smith apple and lingonberry, some evolved bruised apple and caramel tones, light saline mineral nuances, a little bit of developed, meaty umami character, a hint of crunchy redcurrant and a touch of toasty autolysis. The mousse feels fine and creamy and the acidity feels pretty crisp and racy. The finish is crisp, dry and palate-cleansing with a long, brisk aftertaste of saline minerality and lemony citrus fruit, some sharp Granny Smith apple tones, a little bit of tart lingonberry, light stony mineral nuances and a hint of toasty caramel character.

    A characterful, balanced and very serious sparkling rosé. Although the wine is officially a Rosato Frizzante, the appellation does the wine no justice, because it is qualitatively on par with great Rosé Champagnes. Sangiovese picked up this early doesn't show that many varietal characteristics - at least those one might find from a red Sangiovese - but instead resulting in a relatively light and positively neutral base wine, which give enough room for the evolved tertiary notes and toasty qualities of autolysis shine through. The wine is wonderfully structured and harmonious with great depth of flavor. Perhaps those slightly evolved meaty notes might put some people off, but I found they only added to the savory complexity. Good stuff. Solid value at 30€.
    (91 points)

  • 2022 Fattoria Poggerino Aurora Toscana IGT - Italy, Tuscany, Toscana IGT (23.9.2023)
    100% organically farmed Sangiovese from vineyards planted between 1994 and 2004. The base wine is made with the earliest grapes to be harvested at the estate, usually picked in late August or early September, depending on the vintage, fermented spontaneously and macerated with the skins for 60-90 minutes. Later on, in late September or early October, a portion of must is bled off from the fermenting Chianti Classico and added to the rosé. Typically the wine is a 50/50 blend of rosé de maceration and rosé de saignée, but the saignée portion varies depending on the vintage: in cooler vintages it can be higher and in warmer vintages lower than 50%. Fermented and aged in stainless steel. 13% alcohol.

    Luminous and rather deep salmon-pink color. The nose feels youthful, even primary, but also somewhat closed with aromas of savory spice, some sweet fermentation esters, a little bit of strawberry, light white peach and a hint of stewed herbs. The wine feels firm and quite linear on the palate with a rather light body and dry flavors of crunchy cranberries and sour cherries, some spicy notes, a little bit of tart rowanberry and a hint of stony minerality. High acidity. The finish is dry, crunchy and juicy with a medium-long aftertaste of redcurrants and cranberries, some stony mineral notes, a little bit of savory spice and a hint of sour cherry bitterness.

    This wine left me quite unmoved. Both the nose and the taste feel rather simple and linear and the aftertaste feels quite brief. I love the freshness from the high acidity here, but that's about it. This is a very simple and uninteresting everyday rosé that feels like it is in the lineup because they are popular today and every winery should have one - not really because the winery would really want to make them or attempts to make a best possible wine out of their rosé. Well, at least the wine isn't particularly pricey at 12€.
    (80 points)

  • 2021 Fattoria Poggerino Chianti Classico - Italy, Tuscany, Chianti, Chianti Classico DOCG (23.9.2023)
    100% organically farmed Sangiovese from vineyards planted between 1994 and 2004 that are typically harvested between late September and early October. The fully destemmed grapes are fermented spontaneously and macerated with the skins in concrete fermentors for 35 days. In December the fermented wines are racked into Slavonian oak botti of 2000 to 2500 liters - and old French oak tonneaux of 400 to 500 liters, if need be - for the MLF. After a minimum aging of 12 months, the wines are bottled, typically in the spring. 14,5% alcohol.

    Deep, youthful and rather opaque dark cherry-red color. The nose feels open and attractively fragrant, showing wonderful purity of fresh Sangiovese fruit: red forest fruits and black cherries, some fresh boysenberry tones, a little bit of youthful floral character, light licorice root tones, a hint of raspberry juice and a touch of crunchy redcurrant. Lovely! The wine feels youthful, somewhat silky yet at the same time very sinewy and almost lean on the palate with a medium body and intense flavors of pronounced sour cherry tones along with tart lingonberry, some crunchy notes of fresh red plums, a little bit of redcurrant, light bitter notes of medicinal herbs and a hint of old, dry leather. The overall feel is firm and quite structure-driven, thanks to the high acidity and still very unresolved and quite grippy tannins. The finish is dry, quite grippy and wonderfully acid-driven with a long, crunchy aftertaste of tart lingonberries and redcurrants, some old leather, a little bit of sour cherries, light bitter notes of medicinal herbs, a hint of earth and a woody touch of savory old oak spice.

    A fine, balanced and very classically built Chianti Classico that is still super youthful but starting to enter its drinking window. Despite its youthful overall feel, the wine isn't a light and playful little wine, but instead a quite stern and dead-serious effort made in a very structure-driven style. A fine and delicious allrounder that goes easily with most Italian fare that calls for red wine. Will age gracefully for a decade or perhaps even two. Good value at 20€.
    (91 points)

  • 2020 Fattoria Poggerino Chianti Classico Nuovo - Italy, Tuscany, Chianti, Chianti Classico DOCG (23.9.2023)
    Nuovo means "new" and uovo translates to "egg". 100% organically farmed Sangiovese from a vineyard planted in 1984 to a clone that produces larger bunches of grapes that have a bigger juice-to-skin ratio than the other clones planted at the estate - the initial experiments with the concrete egg-shaped tanks in the early 2010's resulted in wines that were too tough and tannic, so this problem was mitigated by bigger thin-skinned grapes resulting in less tannic wines. The grapes are typically harvested between late September and early October. The fully destemmed grapes are fermented spontaneously and macerated with the skins in stainless steel tanks for 35 days. In December the fermented wines are racked into 650-liter Nomblot concrete eggs. After 12 months of aging, the wines are bottled - this vintage in January 2022. 14,5% alcohol.

    The wine appears slightly evolved with its somewhat translucent and subtly maroon cherry-red color. The nose feels characterful and similarly a bit evolved with its aromas of meat stew, some wizened dark fruits, a little bit of fresh cherry and ripe strawberry, light balsamic tones, a hint of earth and a touch of stewed herbs. The wine feels firm, dry and rather stern on the palate with a medium body and intense flavors of fresh cherries and sour cherry bitterness, some stony mineral tones, a little bit of balsamic character, light brambly notes of raspberries, a hint of tobacco and a savory touch of meaty umami. The overall feel is quite muscular and tightly-knit, thanks to the high acidity and quite grippy, assertive tannins. The finish is dry, savory and grippy with a rather long and slightly evolved aftertaste of fresh red cherries and sour cherries, some sweeter notes of wizened dark fruits, a little bit of meaty umami, light earthy tones, a hint of tobacco and a touch of chalky minerality.

    I was a bit surprised when tasting the wine as it seemed somewhat more evolved than the 2021 CC and 2020 CCR that were tasted alongside - I don't know if this is characteristic of this wine or if this particular bottle had been opened much earlier. When tasting the wine, you can really understand why the producer concentrated on the bigger, thin-skinned Sangiovese grapes for this wine; normally those grapes yield a lighter, softer wine, but still this wine is noticeably stern, tough and tannic in nature. I can imagine the wine might've been quite unyielding and unpleasant when made from the smaller grapes that have a larger skin-to-juice ratio! Comparing to the regular Poggerino CC, this Nuovo shows more depth, complexity and tannic structure. However, this wine (or at least this bottle) doesn't seem to promise as much aging potential due to its somewhat evolved, meaty and earthy overall character. I'd say this wine will continue to evolve and improve for at least a handful of years, but it feels the wine should be drank earlier than Poggerino's other Chianti Classicos. Priced according to its quality at 32€.
    (92 points)

  • 2020 Fattoria Poggerino Chianti Classico Riserva Bugialla - Italy, Tuscany, Chianti, Chianti Classico DOCG (23.9.2023)
    100% organically farmed Sangiovese from the south-facing vineyard planted in 1974 on the highest slopes at the estate, at approx. 500 m above sea level. The vineyard is typically harvested in late September. The fully destemmed grapes are fermented spontaneously and macerated with the skins in concrete fermentors for 55 days. In December the fermented wines are racked into Slavonian oak botti of 2000 to 2500 liters for the MLF. After a minimum aging of 18 months, the wines are bottled, typically in the spring. 14,5% alcohol.

    Deep, dark and rather opaque blackish-red color with a faint maroon hue. The nose feels wonderfully fragrant and open with harmonious, layered aromas of sweet black cherries, some balsamic tones, a little bit of old leather, light plummy tones, a floral hint of violets and a touch of gamey meat. The wine feels ripe, concentrated and textural on the palate with a rather full body and very intense flavors of fresh black cherries and ripe raspberries, some earthy tones, a little bit of balsamic richness, light notes of tobacco, a hint of sour cherry bitterness and a savory touch of woody old oak spice. The overall feel is quite muscular and structured yet not too tough or aggressive with the high acidity and ample yet ripe ripe tannins. The finish is rich, juicy and quite noticeably grippy with a long and pretty intense aftertaste of sour cherries and sweeter black cherries, some savory notes of meaty umami, light woody notes of old oak, a little bit of balsamic richness, a hint of tobacco and a touch of balancing bitterness. The high alcohol makes the wine end on a subtly warm note.

    A rather ripe and slightly warm but also very fresh, balanced and structure-driven Chianti Classico Riserva. Although the overall style is slightly darker-toned and more ripe compared to the basic-level Chianti Classico, the wine still comes across as very harmonious and classically styled in character. With its intense, concentrated and wonderfully pure Sangiovese fruit and impressive structure, I have no doubts this wine will evolve gracefully for another decade or two. Although the wine is perfectly enjoyable at the moment, I'd suggest letting it age for at least some years more in order to coax out some more developed complexity. A fine wine and solid value at 35€. Highly recommended.
    (93 points)

  • 2020 Fattoria Poggerino Primamateria Toscana IGT - Italy, Tuscany, Toscana IGT (23.9.2023)
    A blend of organically farmed Merlot (50%) from a vineyard planted in 1999 and Sangiovese (50%) from a vineyard planted in 1996. Typically Merlot in harvested in late September and Sangiovese in early October, both varieties vinified separately. The fully destemmed grapes are fermented spontaneously and macerated with the skins in concrete fermentors for 35 days. In December the fermented wines are racked into 400-liter French tonneaux (25% new) for the MLF. After a minimum aging of 18 months, the wines are bottled, typically in the spring. To my understanding, this 2020 vintage was aged for two years in oak. 14,5% alcohol.

    Youthful, luminous, somewhat translucent dark ruby-red color. The dark-toned nose feels ripe and somewhat sweetly-fruited with aromas of black cherries and strawberries, some marmaladey red cherry tones, a little bit of sweet spice, light woody notes of oak, a hint of licorice and a faint touch of vanilla. The wine feels silky in texture on the palate with a full body and ripe, dry-ish flavors of juicy red plums, some sour cherry bitterness, a little bit of tobacco, light earthy notes, a hint of tart lingonberry and a touch of sweet, toasty oak spice. The overall feel is balanced and moderately structured with the moderately high acidity and ripe medium tannins. The finish is dry, slightly warm and somewhat grippy with a long aftertaste of fresh red plums, some tart lingonberries, a little bit of tobacco, light earthy notes, a hint of sour cherry bitterness and a touch of toasty oak spices.

    I was amused when I was told at the winery how people normally react to this wine along the lines of "finally, a REAL red wine!" when it is served as the last wine, after three Chianti Classicos; my reaction was completely the opposite! To me, after three very firm, structured and classically styled Sangioveses the slightly softer and noticeably more "modern" style of Primamateria stood out in start contrast, but not in a particularly good way. I still have to point out that even though I'm not a fan of modern Super Tuscan reds, this was a surprisingly nice and serious effort in the genre: the oak impact was actually quite subtle and the wine was firm and dry with good sense of structure and typicity. Even if the wine was made in a rather modern style, the overall feel was definitely that of a Tuscan red. I can understand why some people might like this kind of softer, slightly sweeter-toned and more fruit-forward wine over Poggerino's leaner, drier and more structured Sangioveses, but I'm just very partial to the classically styled Chianti Classicos. Still, this is a very nice wine and I would happily buy and cellar this - but if I had choice, I'd still go for the Chianti Classicos! Priced according to its quality at 27€. I'd let the wine age some years more, in the hopes that the oak influence would integrate better with the fruit.
    (90 points)

Posted from CellarTracker

And this absolute unit of a winery dog kept us company every morning at the breakfast patio:

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Our fifth and final winery visit was after we left Chianti Classico behind and arrived in Montalcino. Instead of trying to arrange a visit to any of the big Brunello names, I wanted to check out how Coste del Vivo - a new producer suggested to me by a wine geek / importer friend of mine - was doing.

So I contacted Toby Owen of Coste del Vivo and asked if he was available that day. It turned out that he was, so we agreed that he would come and pick us up and show us around.

Coste del Vivo is one of the newest project around. The whole project started to take its form when in 2009, when Owen - back then a wine shop manager in Scotland - visited Tuscany and did a small stint at the Brunello producer San Polino. A few years later, in 2012 he moved from the British Isles to Tuscany and started learning the ropes as a winemaker’s assistant at Casa Raia, another Brunello producer.

After a few years at Casa Raia he was hired to work as the winemaker at micro-producer / agriturismo Hortulanus, located near the comune of Seggiano, on the hills of Monte Amiata - the impressive lava dome looming just south of Montalcino, standing impressive 1738 m (5,700 ft) above sea level and remarkable 1500 m (4,900 ft) above the surrounding southern Tuscany plains. During Owen’s time at Hortulanus, Coste del Vivo finally came into being as Owen started bottling some of his own wines in addition to the ones he was making during the day. When Owen started to concentrate on Coste del Vivo full-time in 2018, he was allowed to purchase some of the wines he had made at Hortulanus as well as allowed to lease some of the vineyards he had worked with previously. This also explains why there are some wines going back to the 2015 vintage even if Coste del Vivo officially started operations only in 2018.

Owen plucking some grapes to check out the sugar levels:

Owen farms multiple small vineyards in and around the comunes of Seggiano and Castel del Piano, which are located in DOC Montecucco, within the larger appellation of DOC Maremma Toscana. However, Owen chooses to bottle his wines under IGT Toscana instead. Most of the vineyards are located on the both banks of the fiume Vivo, a stream that is one of the main tributaries of the river Orcia and which runs through the hilly landscape. The vineyards’ ages range from 15 to 50 years old and Owens farms them organically.

The peak of the mighty Monte Amiata looming over the vineyards:

On our way to the temporary cantina of Coste del Vivo, Owen took us to see some of his vineyards. He explained how differently the microclimates work there. Of course there’s the normal east / west aspect that affects greatly how much sunshine the vineyards get, but also how large the rain shadow effect of the nearby Monte Amiata can be - some vineyards can be constantly showered while others might be even showing signs of drought. Basically all his vineyards could be seen from the hilltop, but they are spread around in a region spanning a dozen or two kilometers with very little direct roads and fiume Vivo cutting the region in half, so getting from one vineyard to another is not necessarily fast or easy! This also translated to a wide variety of different of wines, in which some vineyards fare batter in cooler vintages; some in warmer. However, even though the region is very close to the warm and sunny vineyards of Montalcino, the overall climate in these vineyards is much cooler, thanks to the higher average altitude of the vineyards and the cooling air that descends from Monte Amiata - especially in the evening, after the sun sets.

Bunches attacked by boars (or possibly roe deer):

The one vineyard we walked through had some problems with the electric fence and it seemed like wild boars had been doing their damage in the vineyard - something all the producers never fail to mention - but Owen also told us that this vintage has been more difficult and yields are considerably down this year - similarly to what seemed to be the case in Chianti Classico as well.

Here we are walking through the 50-yo vineyard:

Nevertheless, it was very interesting to go through the vineyard. Owen pointed out the different varieties there were growing in one small vineyard, including Ciliegiolo, Sangiovese, two different clones of Malvasia, even some Muscat! It was a great experience to get to taste ripe Muscat straight from the vine! The huge hit of floral flavors is something I’ve never experienced from a fruit before.

After showing us some of the vineyards, we drove to Coste del Vivo’s temporary cantina. The original winery facilities (cantina no. 1) were getting too small for the operation, so before the lease on the property ended, Owen managed to find a new property for the winery (cantina no. 3). However, as the new property wasn’t really ready for winery operations immediately, Owen and his father have been working the whole year to get it ready and operational.

The temporary garagiste cantina:

In the meantime, Owen has operated in his temporary winery (cantina no. 2), which is located in the garage of a huge luxury villa, high up on the hillside of Monte Amiata. The owners of the villa have allowed Owen to operate in the garage, since they’ve are away most of the time and the garage is in no use whatsoever. This means Owen gets to operate as a villa garagiste until they get their cantina no. 3 fully operational and get to move all the winery equipment there.

Stylistically Owen works in a rather non-interventionist style, ie. vineyards are organically farmed; fermentations are spontaneous; wines are normally aged for quite a long time, without interruptions; and the wines are bottled without fining and with minimal or no filtration. However, Owen also emphasized that he is by no means a natural wine maker, because he wants his wines to be also clean and they should reach the consumers without any flaws; this is why he employs sulfites in his winemaking. Typically the total SO2 is around 50-70 mg/l. However, due to the spontaneous fermentation and very long barrel-aging regime, many of his wines have a sort of balsamic quality from the slightly elevated levels of VA, lending them a slightly sauvage feel.

One of the most interesting things we discussed was when Owen said how VA is measured as tartaric acid equivalents, but there are different volatile acids and not all of them are equal. He told his wines usually measure in the ballpark of 0,8 to 1,0 g/l VA and I was pretty surprised, because the wines definitely didn’t seem nearly as volatile as the numbers would suggest! Owen told how he had made an experimental batch of wine from grapes in poor shape, making it identically as the lot from healthy fruit, and after vinification checking out the chemical analyses on the wines. He told that the chemical analyses said the wines were almost identical, even the levels of VA were pretty much the same number. However, the wine made with damaged and discarded fruit was heavily volatile with a noticeable, off-putting acetic streak, whereas the other wine didn’t show much VA at all. The thing is that VA measurements don’t measure just acetic acid all kinds of volatile acids - and this doesn’t tell whether the level of acetic acid is actually high in the wine (as was the case with the experimental batch) or not.

Owen fetching a barrel sample:

We tasted five of the Coste del Vivo wines from bottles, plus a few barrel samples (I didn’t write any notes on these). Owen told us he isn’t a big fan of orange wines, so he isn’t making any more of the skin-contact white l’Ambrato, but concentrating on making white wines. The barrel sample we tasted (2021 Bianco) was quite rich and fat and character, showing some oak and coming across as rather Condrieu-like, only without the fragrant Viognier aromatics. The 2019 Coste del Vivo Toscana Sangiovese was wonderfully bright, focused and serious; less burly than the bottled 2017 we tasted and much more to my liking. Owen also told us he isn’t a fan of the herbaceous pyrazine character of Cabernet Franc, so he likes to pick the grapes very ripe. However, he said that often the grapes on the outer side of the bunch tend to be fully ripe, but the grapes deep inside the bunch ripen more slowly and there’s really no way to dig those grapes out for a taste, so every now and then there’s also some leafy greenness to his Cab Francs, too.

Ready to taste the two different iterations of Rosso No. 1:

Interestingly, Owen makes two version of his entry-level red, Rosso No. 1: the normal single-vintage wine and the NV version, into which he blends some of the older wines he has kept as reserve. This is partly used to stretch out the production, but also to add both consistency and evolved complexity to the wine. Tasting these wines side-by-side, they were both cut from the same cloth, yet still very different in nature!

I also forgot to take photo of the bottles we tasted, so I just had to work with the next best thing: the bottles I grabbed with me from the winery as souvenirs:

  • 2017 Coste del Vivo Tenuta Tobia l'Ambrato - Italy, Tuscany, Toscana IGT (24.9.2023)
    A blend of Malvasia Lunga (50%), Trebbiano Toscano (30%), Malvasia Verde (10%), Muscat (5%), the remainder rounded out with a bunch of other white varieties - some still unidentified. Fermented spontaneously in an open-top fermentor with manual punch-downs. Pressed off the skins after five days of skin contact and moved to age in a 2 years old oak barrel. After pressing the fermentation slowed down considerably, but the wine finished both the alcoholic fermentation and spontaneous MLF in the oak barrel in which it was aged for 16 months. Bottled in April 2019. Total production 250 bottles. 13,8% alcohol.

    Deep amber color. Clean and characterful nose with aromas of phenolic spice and ripe orange, some fragrant floral tones of chamomile and jasmin, a little bit of chopped herbs, a hint of caramel oak and a touch of ripe stone fruit. The wine feels dry, somewhat phenolic and wonderfully textural on the palate with a medium body and vibrant, savory flavors of ripe citrus fruits, some notes of caramel and buttery richness from the oak aging, light floral notes of honeysuckle and chamomile, a little bit of bruised apple, a hint of Earl Grey tea and a touch of stony minerality. The moderately high acidity lends good sense of balance and harmony to the wine while the gently grippy tannins bring good sense of firmness and structure to the mouthfeel. The finish is long, dry and slightly grippy with a layered aftertaste of zesty citrus fruits and bruised apple, some caramel tones, a little bit of phenolic spice, light honeyed nuances, a hint of stony minerality and a perfumed touch of floral lift.

    A wonderfully vibrant, harmonious and richly textured orange wine that is all about ripe yet savory fruit flavors, intermingling floral and spicy tones and a judicious kiss of oak. This isn't a weird, funky or natty orange wine, but instead a pure, vibrant and well-crafted skin-contact white that drinks like a conventional wine despite not really being one. Based on this one single experience of Coste del Vivo's orange wines I really wish Toby Owen would concentrate more on these skin-contact whites - in my experience it is pretty difficult to make anything interesting out of Tuscan Malvasias or Trebbianos, but a little bit of skin contact does seem to do the trick! Definitely among the best Italian amber wines I've tasted outside of Friuli. Solid value at 25€.
    (93 points)

  • NV Coste del Vivo Rosso No 1 Toscana IGT - Italy, Tuscany, Toscana IGT (24.9.2023)
    According to the front label, this is the 16-17-19 iteration. A blend of organically farmed Sangiovese (63%), Cabernet Franc (18%), Merlot (11%), Pugnitello (6%) and Ciliegiolo (2%) from vineyards planted between 1974 and 2003 in DOC Montecucco. Fermented spontaneously and macerated with the skins for 3-5 weeks in stainless steel tanks and oak barrels. The wine is a multi-vintage blend composed of 2019 (60%), 2017 (18%) and 2016 (12%) with a tiny bit of 2018 (6%) and 2015 (4%) in the mix as well. Aged an average of approximately 12 months in old oak barrels. Total production 8,000 bottles. 14% alcohol.

    Dark, moderately opaque and somewhat evolved cherry-red color with a developed brick-orange hue. The nose feels dark-toned, savory and somewhat evolved with complex, sweet-toned aromas of black cherries and pipe tobacco, some meat stew, a little bit of balsamic VA, light woody notes of savory oak spice, a marmaladey hint of sweet red cherries and a touch of earth. The wine feels rich, textural and balanced with a medium-to-moderately full body and somewhat developed but also pretty intense flavors of ripe red cherries and sweet dark fruits, some gravelly mineral tones, a little bit of woody oak spice, light savory notes of meaty umami, a hint of balsamic VA and a sweeter touch of dried dark berries. The overall feel is balanced and enjoyably structured with the rather high acidity and moderately grippy medium tannins. The finish is firm, savory and moderately grippy with layered flavors of cherries and dark plums, some ferrous notes of blood, a little bit of balsamic VA, light woody notes of oak spice, a hint of old leather and a touch of meaty umami.

    Tasting this next to 2019 Rosso No. 1, you can taste these wines are cut from the same cloth, yet still the difference is very noticeable: the 2019 vintage feels more vibrant and youthful with more focus, but also showing less depth and nuance, whereas this multi-vintage blend comes across as a bit more structured and it shows more depth of flavor and developed complexity, but at the cost of freshness and youthful energy. Both the wines show great vibrancy of fruit and flavor intensity, but while the 2019 vintage seemed still very youthful, this NV bottling feels like it is now at its plateau of maturity and doesn't seem to call for any additional aging. This is a fine, nuanced Tuscan red that combines vibrant fruit intensity of a young wine to a more evolved, savory complexity of a more aged wine; perfect to be drunk right now. Good value at 20€.
    (91 points)

  • 2019 Coste del Vivo Rosso No 1 Toscana IGT - Italy, Tuscany, Toscana IGT (25.4.2023)
    A blend of organically farmed Sangiovese (2/3), Cabernet Franc + Merlot (total 1/3) with a tiny bit of Ciliegiolo and Pugnitello from vineyards planted between 1974 and 2003 in DOC Montecucco. Fermented spontaneously and macerated with the skins for 3-4 weeks in stainless steel tanks and oak barrels. Aged for approximately 15 months in stainless steel tanks and old oak barrels. 14% alcohol.

    Moderately translucent dark cherry-red color with a faint evolved plummy hue. The nose feels sweet, fragrant and characterful with vibrant aromas of cherries and pipe tobacco, some strawberry tones, light meaty notes, a little bit of perfumed floral character, a hint of balsamic VA and a touch of spice cabinet. The wine feels ripe, sweet-toned and silky on the palate with a moderately full body and juicy flavors of cherries and strawberries, some exotic spices, a little bit of balsamic VA, light darker-toned notes of plummy fruit, a hint of dried herbs and a woody touch of savory oak spice. The overall feel is balanced and enjoyably structured with the rather high acidity and gently grippy medium tannins. The finish is long, savory and somewhat grippy with a vibrant aftertaste of ripe strawberries, some fresh cherries, a little bit of dark plummy fruit, light brambly notes of raspberries, a balsamic hint of sweet VA and a woody touch of dry, savory oak spice.

    A sophisticated, balanced and wonderfully perfumed Tuscan red with good sense of harmony and fruit intensity. The wine definitely shows some ripeness with its juicy, sweet-toned fruit flavors, but at the same time coming across as fresh and focused with its good, bright acidity and more savory non-fruit flavors. The overall feel is still pretty youthful, but the wine is perfectly enjoyable already now. Tasting this alongside with NV Rosso No. 1 (16-17-19), this wine showed more focus and youthful energy, whereas the NV version came across as more complex with more limited aging potential. This single-vintage bottling can be kept for a good number of years more, whereas the NV version is made in a more drink-me-now style. Good value at 20€.
    (90 points)

  • 2019 Coste del Vivo Il Precipitoso - Italy, Tuscany, Toscana IGT (24.9.2023)
    A blend of Cabernet Franc (65%) and Merlot (35%) from a vineyard planted in 2003 near the comune of Seggiano. The fruit is fully destemmed and then fermented spontaneously in oak. Macerated with the skins for a month. Aged for approximately two years in oak barrels (1/3 new). 15% alcohol.

    Deep, dark and rather opaque black cherry color with a subtly evolved pomegranate hue. The nuanced nose feels dark-toned and moderately ripe with aromas of blackcurrants other juicy dark fruits, some developed meaty tones, a little bit of balsamic richness, light red-toned plummy nuances, a lifted hint of ethery VA and a faint touch of tomato stalk. The wine feels ripe, quite dense and velvety in texture with a full body and juicy flavors of dark fruits, some woody oak notes, light savory notes of meaty umami, a little bit of balsamic richness, a hint of blueberry and a faint volatile touch of nail polish. The overall feel is quite high in acidity with firm medium tannins that slowly pile up on the gums. The finish is long, ripe and quite savory with fine-grained, gently grippy tannins and a nuanced aftertaste of black cherries and dark forest fruits, some blueberry tones, a little bit of meaty umami, light sweet-toned notes of toasty oak spice, a hint of balsamic VA and a woody touch of oak. The high alcohol doesn't show even towards the end of the aftertaste.

    A ripe, firm and balanced Super-Tuscan made in the style of Right-Bank Bordeaux. Although the wine does show quite a bit of ripe fruit, the overall feel never feels too ripe or jammy and the combination of rather high acidity and firm, powdery tannins lend good sense of balance and structure to the wine. Although the long barrel aging has imbued some sense of development and balsamic richness to the wine, the wine still feels pretty youthful and vibrant from the beginning to the end. Although the slightly toasty oak influence lends a little bit of glossy modern sheen to the wine's flavor profile, I have no doubts this characteristic will integrate with the fruit and fade away with time. Priced according to its quality at 30€.
    (92 points)

  • 2017 Coste del Vivo Toscana - Italy, Tuscany, Toscana IGT (24.9.2023)
    100% organically farmed Sangiovese from a vineyard planted in 2005 in DOC Montecucco, near the comune of Seggiano. Fermented spontaneously, macerated with the skins for approximately a month. Aged in 2nd and 3rd fill French oak tonneaux for 32 months. 15% alcohol.

    Dark and somewhat translucent cherry-red color with a slightly evolved brick-red hue. The nose feels sweet and solar yet relatively fresh with aromas of dark forest fruits, some cherry marmalade, light leathery tones, a little bit of developed meaty character, a hint of balsamic richness, a sunny touch of wizened dark fruits and a whiff of alcohol. The wine feels rich, dense and textural on the palate with a full body and vibrant flavors of ripe black cherries, some meaty notes of umami, a little bit of balsamic VA, light ferrous notes of blood, a hint of stony minerality and a woody touch of savory oak spice. The wine is firm and pretty muscular with its quite high acidity and ripe yet ample tannins that slowly pile up on the gums. The finish is long, powerful and quite grippy with a savory aftertaste of wizened black cherries and meaty notes of umami, some dry woody nuances, a little bit of old leather, light crunchy notes of fresh dark berries, a hint of earth and a touch of ripe red plum.

    A firm, ripe and very serious Sangiovese that might have a somewhat solar feel with its high alcohol and ripe fruit flavors - something that can be expected of a Tuscan red from 2017 - but the wine is nevertheless remarkably fresh, focused and vibrant for the vintage. The overall feel quite similar to a traditional Brunello, only coming across as slightly lighter-weighted in nature and a maybe a bit more interesting than a typical Brunello at this age. I guess the prolonged oak aging lends a somewhat Brunello-like feel to the wine - just without making the wine feel as evolved and tired as some Brunellos (that feel like they are aged longer in oak than they should). This might not be a wine to be aged extensively (ie. for decades) but I'm positive the wine will evolve wonderfully for a good handful of years more and keep just fine for another decade or maybe two. Even though this was a terrific wine in its own right, I enjoyed the promising, slightly lighter-bodied and fresher 2019 vintage (which we tasted a tank sample at the winery) even a bit more! All in all, a lovely and deftly made slightly Brunello-like Sangiovese; solid value at 30€.
    (92 points)

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Looks like you have a huge influence on pricing Otto. K and L now has the 2020 Carleone Chianti Classico for $69.99. My Canadian source though is selling at 41.99 Canadian pesos. Something strange happening here.

Lol wow. Sorry! :sweat_smile:

Probably should keep it a secret if I’m visiting any wineries in the future.

Otto. The K and L price seems like an outlier. I am not sure why. Other Carleone wines are having little response on their auction site.

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