With respect to taste and smell, I think there’s an interplay between your physiological responses and your mind. Several years ago, Tom Hill’s tasting group evaluated some experimental syrah from California that I think had been produced by UC Fresno (I’m sure Tom will correct me if I’m wrong). The wine was naturally 18% alcohol, but a lot of the alcohol was removed and then added back to produce the same wine with different alcohol percentages. The group evaluated which versions of the syrah they preferred.
I and one other person liked the 13.35% and 13.6% versions the best. The group as a whole tended to prefer 14.75% to 15.5%. Two people preferred the 18% version.
What I learned from the experiment is that sensitivity to the presence of “too much” alcohol in a wine varied quite a lot within even a small group of people (14-16). This is a group that used to taste primarily zinfandel, which frequently had a lot of alcohol. I would have guessed that a certain amount of tolerance to alcohol had been learned by the group. I don’t know why I didn’t develop the same tolerance, but I didn’t.
Interestingly, over time, the members of the group have become much more sensitive to what I view as excessively alcoholic wines. I don’t know why that is exactly – my surmise is that it’s an interplay between inherent sensitivity and what people have learned they like, over time – but it has definitely happened.
On the other hand, sensitivity to TCA does not seem to vary over time, once someone has learned what it is. Those who are super-sensitive remain super-sensitive. Those who are relatively insensitive remain that way. And the rest of us are in between.
With respect to sound and music appreciation, there is actually some data to work with. I used to publish a magazine about sound reproduction (Stereophile), and have some experience with evaluating at least reproduced sound. There are natural limitations to the ability to hear sounds at varying frequencies, and those limitations increase with age and exposure to loud sounds and other forms of trauma. In controlled studies, the people who have the most replicable judgments about, say, loudspeakers are the ones with fewest hearing limitations, particularly in the broad middle of the hearing spectrum (30Hz to 15kHz). People who have “dropouts” – bands of the spectrum where their hearing isn’t very good – are less good at evaluating loudspeakers.
But, in sound reproduction, the most significant factor, in my experience, is the judgment that people make about what they hear. Just as in wine evaluation, some people make good judgments and others don’t, at least from my point of view.