Synopsis of gratuitous, disconnected intro to a piece on 1959 wine written in style of 6th grade essayist:
I don’t like Jazz
It doesn’t sound good to me (but I’ll use big words like aleatoric to say that so it sounds fancy and given I only have enough words in my piece to allocate 2 sentences to this topic)
let me list famous jazz artists and which albums they were working on at that time because I like to make lists
ok, now let’s talk about 1959 in wine. (Time to swoon everyone.)
I usually create a mix tape on the iPhone for tasting and photography sessions and pipe it through a small set of speakers. Winemakers tell me they enjoy it. Since I am curtailing the one on one tastings for a while I haven’t been too crazy about music in the photo sessions in 2020. I understand that Neal Martin has a great love of music. He actually turned me on to a female vocalist I enjoy a lot. I’m beginning to accumulate short articles from those who have other passions outside of wine. I published one on surfing at Ocean Beach which is something I have never experienced but it was so well written and photographed I was pulled to it. I keep beating on the door of a guy who builds Porsche 356 from the ground up (but he has been a tough nut to crack) I hope nobody feels I’m burdening them with my winemaker portraits.
I may not like having Neal ‘s musical likes (and dislikes) being shoehorned into his articles, but he can certainly write. I just read his memorial to Harry Gill. Superb piece.
Hadn’t seen this thread originally, but reading through this immediately thought - I wonder the reactions if he was the reviewer who posted regularly on WB.
I have been on this web site a few years and am amazed sometimes at the egos displayed. To hear all the critiques of Robert Parker is laughable. He was truly the first wine critic who was fiercely independent of the wine industry and fiercely loyal to the only group he cared about…his readers! You may not agree with his taste but it was consistent and enough people agreed with him that he literally changed wines…so much for the better. The French feared him and thus the libel lawsuit in Burgundy when he was certain he was getting wines that were Grand Cru and he was told they were the lesser cru so they would sell better.
He was truly an “idiot savant” when it came to tasting and he would taste 75-100 wines every Wednesday and Friday, blind!! If he gave a wine a score and tasted the same wine say 3 months later he would score the wine within 1 point either way 99% of the time. He was very confident of his rating consistency.
I had the good fortune to taste wines with him over a half dozen times and, my goodness, it was impressive. I wrote a letter about an itinerary for our wine and food weekend that was quite long and then at the end in a PS I told him I had won a reconditioned 1900 Margaux and how should I serve it. He responded with a short “the itinerary is fine” and then proceeded with 4-5 paragraphs on how to serve the Margaux!
That weekend he also related two incidents with the French. One, he was at a Chateau with many big names and was served a wine blind that he knew he had never had before. He was asked by the host if he could identify the wine. He used deductive reasoning and concluded that the wine was a 1921 Calon Segur! He was correct!
Another time, the French version of the Larry King show came to interview him and without warning asked him if he could identify 12 wines blind! Well, this hadn’t been discussed prior but he said what the heck and nailed every wine! The show refused to show that segment!
My point with this post is everyone has their own palate but trust me, Bob’s was better than everyone’s!!
This thread was not intended to be about Parker’s ability as a blind taster. It was about the random and unnecessary digression by critics who insist on writing about their musical pleasures. Who gives a damn?
But since you launched a very spirited defense of Mr. P, I will respond. I am sure the blind tasting skills were impressive, but I have also heard tales of a tasting of a single vintage Bordeaux with EWS (I cannot remember which) where he was horribly wrong most of the time.
Like many others, I came to wine with the 1982 vintage, and read Parker avidly, before I lost faith as his palate which seemed to go nuts in the mid to late nineties. So, no, I don’t think he was “consistent” and his legacy has suffered because of it.
But he did fundamentally change the way we look at wines, and for some years the type of wine produced to appeal to his palate. A huge innovator, he took away much of the class snobbery associated with wine. But he also dumbed it down, and as I said in another thread, the 100 point scale is “pretty useless” and arguably because it has been taken as something it isn’t, does more harm than good.